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beautiful. Maybe quirky enough to pique my interest. Underneath, listening.
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Even a cover of exquisite craftsmanship. It reminds me of the kidnapper from The Silence of the Lambs in a famous scene.
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Everything is clear.
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I didn't like the story. I don't want to delve into it given the previous experiences. I read it without any preconceptions and I don't intend to vote on it, demonstrating that I'm not driven by sterile polemical intentions. The point is that we are facing a piece of writing that, according to @[G]'s latest directives, is completely out of place.
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Nothing innovative. It’s also true that they have abandoned the unhealthy psychedelic atmospheres of their early days. But to call it a bad album, no thanks. Also, the comparison to the Black Keys seems totally out of place to me. For me, it’s among the best in their discography (only Indigo is truly terrible), there are many beautiful facets very well handled here (which you also mentioned), and it’s not that the abandonment of the lysergic attitude necessarily implies a drop in quality. I don't know. Maybe I'm deaf, but there are excellent songs here.
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Beautiful. But the brass t-shirt even more so. And now it's also time to quit smoking. No huh ...
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Ah. We're talking about my musical toilet bowl. Let's dive deeper.
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Beautiful writing. Emotionally charged and personal, yet full of insights that relate to all of us. That by our nature we must come to terms with the void of absence, of loss. Furthermore, it is a fitting tribute to Chris who was missing on that stage. The concerts are over, Heart, true... but the grooves that Cornell has left in you are constitutive of your identity, of your memory. They remain forever.
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So far, it's been a great year for me. Black Angels, Garcia, ATDI, Mastodon, Lanegan... Plus, the Melvins are about to release something, let's throw in Primus. Not bad at all.
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Indeed, I digest the bittols as much as I do the cotechino with polenta. Aside from this happy pairing, what a pain in the ass.