omahaceleb

interesting, and you good

In my opinion, this album doesn't even come close to the first two EPs and Free Dirt, and beyond the love a fan may feel, there is objectively a decline in terms of inspiration, songwriting, and - above all - power. They've traveled the world and learned how to mix the album really well, as it was done everywhere else in the world, from the Manzanarre to the Rhine, all the way to NY and Seattle. Too well, alas, and the result is a distortion from which they will never fully recover, entering the sunset as just another pop group. To give you an idea of where we stand, this is Brian May's favorite DP album. I don't think there's anything else to add.

I'm sorry, but I can't access external links, including YouTube. If you paste the text you'd like me to translate, I'll be happy to help!

Nice of you and good job.

What a record

"The drone and Moby should go very well together; the genre (the last time I say it: the drone is not actually a 'genre,' it's an embellishment, like distortion. Then you can make albums consisting solely of drones, as you could with distortions. And you'd end up with a drone album, among other things. But to expect that raw and naked drone creates a genre of its own is too much; the mockery, the non-music, is always lurking around the corner." I completely agree. In fact, I would say that what keeps me away from so-called drone is precisely the categorization of a genre; not because I'm against categories and genres, but because a drone album is strictly a genre=x album subjected to magnetic resonance imaging, therefore you are right to say "an experience," and I would add an experience of any genre pushed towards an imaginary escape route. Otherwise, we should also admit that throwing a stone into a pond and watching the concentric circles spread across the surface of the water is drone too. Nonsense aside, I am one of those who played it and loved it; occasionally, my partner and I put it on when we do some domestic chores together—tidying up, dusting; even having sex, come on. Then, I remember something by him like "We're all made of stars," which is a track from the album following Play, but that's more electronic and played, still I never delved deeper because it seemed like a trendy thing with a detestable sound like "Bohemian Like You." At this point, you've intrigued me, and I'm searching for it, thank you very much.

[After "involved" there should be a dash, not a comma.]

So you’re telling us that the ODM have done something better than the horrible last album? I want to believe it, even though I haven’t cared about the progress of Capovilla’s bands since 2011, neither their riffs nor their raff. I didn’t even give the Bunuel project a chance, which I already found annoying due to the people involved; I’ve found Iriondo annoying for about ten years in every manifestation, but maybe I’ll just give this new one a listen. A precise review that says what needs to be said, it seems to me.

The first paragraph made me feel a sadness, kloo. I sincerely feel sorry for you; closing things with Bolo must not be easy at all.

By the way, George Gershwin and Duke Ellington are also played in my house. Not as frequently as before, of course, maybe just as an interlude between Pink Military or Glaxo Babes, but they are part of our repertoire.