telespallabob

Fabio, when I go to Calabria for vacation, I take a 15-hour ICN (intercity night) train from Milan to Reggio Calabria (and I would much prefer this over a little more than an hour by plane from Linate to Tito Minniti, the airport in Reggio). Let it be clear, 15 hours is the expected schedule, but you never know what kind of delays might occur.

What can I say about Marco Paolini? Magnificent, moving, and incredibly lucid. In all his performances. He is capable of producing shows of the highest moral and civic value ("Vajont", "Il Sergente") as well as others that may seem more "light" but are nonetheless intertwined with the human and social fabric that he narrates and that we live. I might be stating the obvious, but he always gets a 5 from me.

The photo is beautiful; it depicts a PERSON in a deeply human and common gesture. As for the beauty or lack thereof of Marilyn Monroe, her status as a sexy icon interests me very little. Of course, I don't think she became legendary because she was a whore, because that would be quite a problem. On this occasion, the icon is simply told to fuck off, erased and replaced by a woman (we often forget this word: woman. An extraordinary concept) anxiously looking at her youthful image and her success. Seeing them with a more critical spirit. Thank you, Allan Grant (no need to thank Marilyn. She was herself in that moment, and that should be enough for us).

We believe we owe some explanations (perhaps Salvo will add something else). "Loosehead" is a project of both of us, a sort of spin-off. Certainly, each of us will continue with our own reviews and comments, that is, with our original nicknames, but when we feel the need to work together we can use this nickname. So that's why there's a double dedication, and that's why the review includes passages written by him and others by me. I thank everyone for the comments and positive ratings. @Kemosabe, if only we had the original edition (which consists of just two disks). The third, titled "Il Lungo Addio," can only be found in the reprint of A-Rivista Anarchica, which is the ONLY CIRCUIT where you can find this and other records (that's why I chose the link to Marco Pandin, who manages the music section of the magazine and can be contacted via email for purchases). In the link, you can see the wonderful and varied music catalog, all material at an affordable price. I would also like to emphasize that the artists do not earn a dime from purchases. All material goes to enrich the "black funds" of the newspaper (black not in the sense of tax evasion, but in the sense of the anarchist flag). @Lewis, great photo (long live Scrubs!) and thank you for the plural. I explain to others that Loosehead is one of the two props, the left one. The other is called tighthead. Generally, prop is the term used for a prop in rugby. In fact, you can find the term "loosehead prop" in international matches. Nevertheless, thanks to everyone.

If I had 15 thousand dollars (apparently this supposed masterpiece cost that much).

I haven't listened to solo albums, but I have always found Parto interesting.

I don't think it falls into the list of things that interest me.

Don't think it's just for the audience in Spezia. In Brescia, the "musical audience" is spitting in your face and kicking your ass nonstop. I've seen things that make yours seem like child's play.

"If Offlaga Disco Pax sing the same crisis of political values as Cccp," where and when? Removing this phrase makes the review acceptable; the band certainly deserves consideration.

A large band, a respectable album