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The only one I have, but I should listen to it again. Let’s say that, like the first one from the Strokes, it didn't excite me too much. Really excellent review, congrats.
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never actually heard you mentioned, nice notice and recovery
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Hello enbar, this time first!
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Wow, what a report/recovery! At least 5.
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To see
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Beautiful Lao
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@[yorke75] even Cobain (for example) wrote lyrics that were fundamentally indecipherable precisely because he used cut-up techniques and because, for him, lyrics didn’t hold the same importance as music. Yet he is criticized for many things but not for his lyrics. The Verdena are often criticized (among other things) for writing lyrics that do not convey a complete sense, but I get the impression that this criticism is primarily tied to the fact that in Italy, lyrics have always held enormous value, often overshadowing the musical aspect. The Verdena have a precisely opposite approach; if they sang in English, I believe no one would care about what they say in their songs. Just like with Cobain’s lyrics, indeed.
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I got to know them because Coxon in his second solo album "The Golden D" covered two of their songs: the already mentioned "That's when I reach for my revolver" and "Fame and Fortune."
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Terrible review. As usual, I won't give it a one star so it doesn't disappear from the homepage. Endkadenz should be seen as a unique work, and it's the most complete by Verdena, the one that represents them the best. For me, it's a masterpiece. If I really have to choose my favorite between the two albums, I would say this one, but it makes very little sense. "For alternative kids," a band that releases an album like this (and the two previous ones AT LEAST) can no longer be taken seriously.
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I agree with your analysis and vote, essentially. I didn't see Paride as "not brave," but rather as the most "human" of all; that's how I preferred his characterization.