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I absolutely have to catch this, I made the big mistake of trying to watch the one with Nicholas Cage (I turned it off after half an hour, it was incredibly boring), I know that this is a milestone in the genre.
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I'm waiting for Silaslang, who is the number one fan of the emersonleikkeppall, strange he hasn't shown up.
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Come on, you can't touch "l'avvelenata," it's in the top 10 of my favorite tracks by Guccio.
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Well, okay, I'll give them another shot :D With Medicine Show, as I wrote to you, when I got it I was convinced I would like it, and on paper it had everything going for it, but it didn't grab me at all, oh well. It's a bit like what happened to me with Dinosaur Jr and Bug.
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I don't get the criticisms of the album honestly, without arguments, but I really don't understand the various "weak, forced, disappointing, out of inertia, unrecognizable" remarks, and I don't understand how one can say that MBV is beautiful and this is half a crap. But alright, thanks everyone for the support, guys.
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Thanks to everyone who has stopped by so far!
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I was comparing this new one by Albarn with the latest by Coxon (A+E): folk-soul-ethnic-electronic for the former, alternative-noise-postpunk-psychede lic for the latter. Both excellent but they are exactly at opposite ends. After all, it’s precisely when such different and therefore complementary personalities come together that great things are born.
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As far as I'm concerned, the only excellent hefty volume related to a possible concept of "guide to music" remains the "500" from the wild bunch (which has been expanded to "1000" a few years ago and I will get eventually). That's where you can find professionalism, expertise, and passion (and also from a graphic point of view it's excellent, with all the covers). I've always looked at bricks like that with suspicion; sometimes I even have a good laugh when I happen to be at Feltrinelli (nowadays less and less frequently, to be honest). Great review.
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Well, you did tell me that your genre is shoegaze :D this album is in my top ten, maybe even top five, and I've said everything about it, a journey of a review, as the album demands. In shoegaze, after this one which is THE shoegaze and BEYOND shoegaze at the same time, I’d place Nowhere (with the today forever EP).
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The point is that here it's like shooting at the Red Cross.