templare

Dead band for many, many years.

I know I'm going to draw the ire of many, but I've never liked Santana. In fact, from '73 to today, I've never bought one of his albums. I mean, I listened to a few – not owned by me – and I also saw some live footage of this guitarist in the '70s. I particularly remember a live performance in the Netherlands. But mostly because the Pink Floyd participated, playing the same tracks from Ummagumma, disc one. The professionalism of Santana and especially of his bands is beyond question. But he has never attracted me to his side. It happens. I’m defective.

Well... I listened to them up until Achtung Baby. After that, they became truly unbearable. Personally, I find Bono to be a bit of a trickster. But in general, this band has run out of creative energy (if they ever had any, as many claim) for far too many years. However, I respect everyone's tastes.

I've never listened to the album. But I always remember ABBA fondly. I'll take care of it.

Vinyl I haven't listened to in a while. However, 5 stars are fully deserved. Really beautiful.

As a player, I've never liked him. When he acts like a moralist... unbearable. He doesn't even know what he's talking about.

Wow, how bad!!! Anyway, I agree that listening to 40/50 minutes straight of the leader's nasal vocalizations is... challenging. Interesting album (along with the first one), then nothing more....................

Great. Everything great.

I saw it in its time. Well... I liked it a lot. It’s not a masterpiece, but it’s still an honest, well-made, and well-acted film. With a very low budget. I also liked Duncan Jones' next film; I can't recall the title... "Code" or "Secret Code," I don't remember very well...

Given that, in my opinion, I much prefer The Piper, Atom, and Meddle, for example, to TDSOTM. However, the latter remains a jewel. It’s true that they already played some tracks live (obviously very different from what they would later record), but the beauty of refining them in a recording studio by introducing many other ideas and sounds, I don’t think was a bad thing. Then, regarding the genesis and tribulations related to the recording sessions, we could open another chapter. Alan Parsons (who at the time was just a simple sound engineer employed by Abbey Studios, apparently for 35 pounds a month) was lucky enough to be in the right place at the right time, even though he was already known to the Floyd as he participated in the recording of AHM. However, for TDSOTM, you can't give less than 5 stars. Then, everyone can think as they wish. ...35 pounds a week...... Sorry for the various typos. Today is just................