Second album after the self-titled debut “Placebo” from 1996, the British band led by Brian Molko delivers a record less raw than the previous one, certainly presenting a more mature sound. The musical formula proposed here defines the structural basis for the albums that will be released subsequently, creating the Placebo style (a blend of punk rock, post grunge, Brit pop, electronics, and glam).
The album consists of 12 tracks with simple structures and short durations. Molko's voice defines the true strength of the group, characterized by a distinct versatility: ethereal and soft in some tracks, angry and aggressive in others, it captures the listener and takes them into the personal late-adolescent world of the frontman, made of impossible love stories, alcohol, drugs, self-destruction, and perverse sexual practices. Overall, the album is extremely varied and uneven: it moves from the electronic rock of the lead single “Pure Morning,” to the aggressive punk of "Brick Shithouse," to the sweet and poignant ballad “Without you I'm nothing,” up to the pop-rock hit “Every you and every me.” A commercial success well-received by critics of the time, “Without you I'm nothing” is objectively a fine record in the 90s British rock scene, which, although not standing out for innovation or particular technical highlights, has the ability to strike the listener on an emotional level. Then, well, tastes are tastes, but that’s another story…
Rating 7/10.
The reviewer: Federico D’Alessio
"A friend with weed is better / A friend with breast and all the rest / A friend who’s dressed in leather."
To do something like that, you’re either absolutely sure of yourself or you’ve taken something strong (in the case of Placebo, I think both hypotheses hold true...)
"No violence at Placebo show!!" declares Brian Molko, stopping the music to ensure safety.
Steve Forrest unexpectedly opened the show with a solo acoustic set, surprising and energizing the crowd.