JakeChambers

Yes, as usual the editor puts a random space inside the web address, so if you copy and paste it into the address bar the browser tells you 'unknown address.' And anyway, pierluigibalducci.net is written all together!

Here you go, for those who want to explore Pierluigi Balducci further, four beautiful monographic interviews:
JAZZIT MARCH 2007

JAZZMAGAZINE JULY 2005

MUSICAROUND DECEMBER 2006
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JAZZIT SEPTEMBER 2000

Freedom of thought and respect for others' opinions, but this time I really have to say it: "Time" disgusted me to the utmost.

@odradek: long live Trovesi, of course. Indeed Milonga is "heartbreaking" up to a point; I hesitated until the very last moment before including it in the review. @Tobby: Pierluigi, I found you a client! Free tickets to the next concert, right? ;-) Last but not least: cazzaroola, the wrecking guest star in one of my reviews! Delight! ;-)

@odradek: long live Trovesi, of course. Indeed Milonga is "heartbreaking" up to a point; I hesitated until the very last moment before including it in the review. @Tobby: Pierluigi, I found you a client! Free tickets to the next concert, right? ;-) Last but not least: cazzaroola, the wrecking guest star in one of my reviews! Delight! ;-)

In my opinion, both can be valid: the "giants" and the illustrious unknowns. As time goes by, I realize that I often prefer musicians who are considered "minor" by much of the criticism and probably also by many Debaser reviewers. I believe it stems from the fact that with these artists, I can have something resembling a "human connection," which is very important to me. Nothing too significant, perhaps just a couple of chats after the concert, an autograph, or simply attending a show in a small venue and managing to sit two meters from the stage. In this sense, my judgment is softened by the memory of certain experiences, and perhaps we could even say it’s somewhat subjective... But ultimately, which judgment truly is objective? That said, if you want to prepare a review of Carla Bley, I will read it with great pleasure! :-)

Oh my goodness, what a review with the absolute nonsense...

Thank you! I agree with fusillo, also "hijos" to consider. For those who want to know a bit more, or perhaps get an idea, I would like to recommend the book "Le irregolari - Buenos Aires Horror Tour" by Massimo Carlotto.

I agree, he's never had a great voice and probably can’t sing. However, everyone knows, knows the words and/or can play "Azzurro" and "Una carezza in un pugno". Celentano is part of that vast army of "pop" artists who have so "pumped up" their shortcomings that they appear as virtues. I'm not saying I like this, I'm saying it's effective. If a pop artist is meant to be popular, one must admit that he has succeeded in this...

What could I have possibly meant? ;-)