Cover of Kim Ki-Duk Time
The_dull_flame

• Rating:

For fans of kim ki-duk, lovers of korean and southeast asian cinema, viewers interested in emotional and thought-provoking dramas.
 Share

LA RECENSIONE

Convinced that her boyfriend no longer wants her due to the monotony of her face, Sae-Hee goes under the surgeon's knife to acquire a new appearance and win back Ji-Woo (the boyfriend who has meanwhile become desperate over the mysterious disappearance of the girl) with her new face. After several poorly executed flings, Ji Woo meets Sae-Hee again, who now calls herself Sah-Hee, as she has built a new identity. But just when the relationship is developing, the woman decides to tell him the truth. He, shocked, changes his face. Shocking finale.

Underrated masterpiece of Southeast Asian cinema that did not receive the recognition it deserved. Kim Ki-Duk rarely makes a bad film and "Time" is certainly an essential work, although its only flaw often seems to be its attachment to trends and the Westernization of Korea. The message, however, comes through loud and clear, like a punch in the stomach, and the actors are representative, as well as beautiful and expressive. It is a film that absolutely must be seen, although one should first watch other episodes of Kim Ki-Duk's cinematography ("3-Iron", "The Isle", "Address Unknown"), without neglecting works like "Samaritan Girl" or "The Bow".

Loading comments  slowly

Summary by Bot

The review praises Kim Ki-Duk's 'Time' as an essential and underrated film exploring themes of identity and love through drastic physical transformation. While noting a slight Western influence, it highlights powerful performances and a shocking, impactful finale. The reviewer considers the movie a must-see within Kim Ki-Duk's filmography.

Kim Ki-Duk

South Korean film director and screenwriter known for minimalist dialogue, visual lyricism, and stark explorations of pain, love, and spirituality. His films include 3-Iron and Spring, Summer, Fall, Winter... and Spring; Pietà won the Golden Lion at the 2012 Venice Film Festival. Active from the late 1990s until 2020.
07 Reviews

Other reviews

By Hellring

 Kim Ki Duk is without a doubt one of the greatest representatives of Oriental cinema, giving a poetic touch to films that remain absolute masterpieces.

 Time remains an excellent film, full of emotional turmoil that fascinates with its poetic nature.