Purpulan

DeRank : 2,92
DeAge™ : 6836 days • Here since 21 september 2007
Verdena Requiem
Verdena Requiem
18 oct 09
Voto:
However, they didn't leave the most "Frippian" face in the center, but shifted it to the right... ;)
Tiësto Kaleidoscope
Voto:
But if you want, to remedy the bad habits of our compatriots, I'll take it upon myself to thoroughly trash this plastic doll and its even more plastic "music??!" ;)
Kings Of Convenience Declaration Of Dependence
Voto:
Oh yes, yet another confirmation of their impressive... bANALuselessness! Even if our acoustic tastes don't align, you still write a lot 'well...
Wild Beasts Two Dancers
Voto:
A bit too many repetitions within closely spaced sentences, a few more circumlocutions would have been beneficial...
Wild Beasts Two Dancers
Voto:
I still have to figure out if they're really there or just pretending (...the "Gaii", no reference to CPT... ; ). Anyway, this seems to me a more serious matter compared to the debut.
Michael Haneke La Pianista
Voto:
Damn, even the zzzzz... What a moron!
Michael Haneke La Pianista
Voto:
While I must stop hunting for accents on the A, I will cease to make it "Normality"... that’s it!
Michael Haneke La Pianista
Voto:
Here, the problem, when it comes to Haneke, lies precisely in the excess of "qualitative" emphasis that often characterizes those who try to dissect his aesthetics: it's all right there, within reach of the eye and without any subterfuge. The "norm" (and consequently the "normality" of what is represented) is a strict dictate of his staging operations (of all, none excluded); terms such as: "remarkable abilities," "squalid voyeurism," "dictatorial attitudes," therefore, are justified only by the interpretative exegesis of the viewer (left entirely free by the director), while the "continuity" of the gaze and editing (never subservient nor subservient, both the shots and the cuts) constitute the (remarkable) stylistic signature of the Austrian filmmaker.
Deftones B-Sides And Rarities
Voto:
Not just simple covers... Just listen to "Simple Man"! Shooting down the terribly uncool Lynyrd Skynyrd (not so much for their human misfortunes, but mainly for their utterly unfortunate "musical tastes") isn’t "cowboy-esque," but reworking one of their songs to make it "appreciable"... Well, that alone is worth a "Titanic" acoustic endeavor!!!
Editors In This Light And On This Evening
Voto:
I also heard "The Boxer"... the basic melodic line is a spitting image of "Smalltown Boy" by Bronski Beat, slightly slowed down... Another rather unencouraging clue. The title track, on the other hand, is quite pleasant to listen to, well...