CaptainHowdy

DeRank : 0,72
DeAge™ : 6876 days • Here since 13 august 2007
Mariano Apicella L'Ultimo Amore
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I've heard about human cases... I was missing (even if I am just by self-proclamation), I haven't read what they wrote but I echo Mien, Male, SuperSoul, and JimmyCruscotto.
Tori Amos Welcome To Sunny Florida/Scarlet's Hidden Treasures
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It's okay, tastes differ, I don't get mad if someone doesn't share mine. I wanted to answer your question as thoroughly as possible. Regarding the issue of "reading about music," I had a subscription to "Il Mucchio Selvaggio" until a couple of years ago and I constantly read the more mainstream "Rockstar," but only because I liked the fact that it had a lot of beautiful full-page photographs (the most beautiful ones of Tori I found among those glossy pages). Let's say I read "Rumore" (only to find reasons to get upset, it's unpresentable from my point of view), "Psycho," "Rolling Stone," and "Rockerilla" often came into my hands. Now, with the advent of the internet at home, I find the latest news online directly (DeBaser is one of the sites that helps me the most), and this is coupled with the fact that if "Il Mucchio" hadn't been so editorially unstable, I might have kept my subscription because it was still a good magazine (too integralist on several issues but quite authoritative on others). The others were rather dispensable, and I've noticed that since the Age of Bloggers has also seized the right to critique, they have become even more entrenched in their individual convictions, losing much of their informative function. Therefore, right now, I'd prefer the internet over print media (this applies only to music; personally, I prefer the printed version of the three daily newspapers I read, "Corsera," "Gazzetta," and "Giornale di Vicenza").
In these years, occasionally but quite often, I took a look at "Kerrang," "NME," and "Q" in the original versions that I find at my barber's... and I must say that the Anglo-Saxons are light-years ahead of us in terms of open-mindedness, even if they are often questionable too (but it's always a matter of taste). I prefer Sylvian's career with Japan (which I unfortunately discovered late, only a few years ago) over his solo work (even if "Secrets Of The Beehive" I like a lot... it's perhaps the only thing I share with Ondarock!). I also like the first one he did with Fripp (whose title for some reason is escaping me now; I have it on a pirated cassette, but unfortunately, I like it).
Todd Rundgren Nearly Human
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"It had been since 1985 that Rundgren hadn't released an album: couldn't he wait another year? Couldn't he hold off until the eighties were over, for the music and for everyone?" Apparently, he had to eat too! ;-)
Tori Amos Welcome To Sunny Florida/Scarlet's Hidden Treasures
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I’ll tell you, I consider her a beautiful woman but not stunning, she certainly has characteristics of a "Diva" from another era (especially in the last decade, in the '90s she wasn’t exactly like that YouTube video non trovato RqrMzDUyvs4) and a theatrical transformation that attracts my more theatrical side, but I don’t think it’s a "physical" matter. I’ve been listening to her since the beginning of her career, that is, since '91 (I was 17 years old), so I can’t exactly explain the reasons for the attraction. Initially, it was surely something adolescent (since "Little Earthquakes" is, after all, an album with adolescent themes), but as I’ve "aged," she has always proposed things (I remember that each album of hers is very different from the others, and I find this objective even when talking about the less successful albums; I challenge anyone to prove me otherwise... ;-) ) that ended up matching my emotional needs of the moment, both musically and philosophically. This elective affinity lasted at least until '99; as PoetaRainer would say, it was my Cahier de Doleance at the time when one is most emotionally sensitive, that is, from 17 to 26 years old. Now things have changed a bit; she has shifted towards sounds and attitudes that are decidedly more aligned, and I have accumulated a much more diversified background (as you can also glimpse from my reviews) that makes me more detached, so the passion has decreased significantly. However, this doesn’t detract from the fact that "Little Earthquakes" from '92 (which, reflecting with hindsight, is the one I appreciate the least from those years), "Under the Pink" '94, "Boys for Pele" '96 (my favorite), "From the Choirgirl Hotel" '98, and I’ll also add "To Venus and Back" '99 for historical reasons, remain intensely genuine and incredibly representative albums of those years, generally speaking and not just in terms of music. They give a concrete idea of what has been one of the greatest singer-songwriters of her generation (but I think of all time) both in terms of composition and interpretation. Then, all of this is also deeply rooted in personal reasons that I won’t go into here to avoid boring you further. Bye!
Annie Lennox Songs Of Mass Destruction
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I'm arriving late to insult Azzo ;-) I haven't read the review yet, but Diva and Medusa accompanied me for a long time back in the day, and even now I still listen to them occasionally. I don't know this one, but I'm not sure if it would suit my taste right now, but those are just minor details. I'm interested in the list of the best female singers, though, and I have to ask for a clarification: are you evaluating only the interpretative side? The authorial side? A mix? Because if I have to mention just one based on technical abilities, but then I don't like the songs proposed (it's a matter of genre, not anything else...), the first name that comes to mind is Aretha. What I mean is, are you evaluating just the Voice or the whole Package (charm, charisma, compositional skills, etc.)?
Armin Van Buuren A State Of Trance 2006
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I notice that Isis hasn't loved me as she used to lately :-( @Male: it wasn't exactly a disco but something more Rock!, anyway I'll try to make it up with the next review!
Armin Van Buuren A State Of Trance 2006
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Don't worry, it's a Dark Discoclub near Vicenza, you couldn't have known it, no ignorance, better the Feste dell'Unita' (or not?) :-)
Armin Van Buuren A State Of Trance 2006
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Thanks again to everyone for the comments and in order: @Mien: if truzza means what I think it does, I believe it’s a constant not only in your parts ;-) @Male: the DeBaseriani love me because I pay them (even the Editors... indeed they did me a serious disservice)... I can’t wait to see you dance... @Jackas: so I’m sick because I normally listen to it even in my living room... (but dancing though :-D) @Ghemi: like Flin, I’m silly even without drugs.. is that okay? ;-) @Alessio: too bad, I could already see you on top of a Cube... @Flin: Dear, Vinyl practically watched me being born! Thanks for the compliment.. too kind! @S4: working on New Year's, damn it...
Interpol + Blonde Redhead Live @ Saschall - Firenze 12.11.07
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"We complain about Ligabue, but it seemed to me that they played the same song all evening."