Voto:
Wrong. I too own the entire discography of Nirvana, and I know it by heart. Just as I know by heart those of Soundgarden and Alice in Chains. If you don't find them fascinating, I can accept that, but if you donât find them important, then well, I repeat: it seems to me that you understand very little about the "grunge" phenomenon. I'm 27 years old, and I would never dream of saying that Nirvana is just a commercial band, especially since their debut album, Bleach, went largely unnoticed when it came out, unlike this debut from Verdena, which seems a bit too well-produced and, above all, well-promoted for a first album (I remember videos in heavy rotation on MTV day and night). However, Nirvana is definitely the most famous "grunge" band and the one that has played the most on MTV; my grandmother even knows them, not to mention that people believe they invented grunge. But, you see, unfortunately we live in Italy, and the musical reality reaches us in a heavily distorted manner. Here we not only believe that the pinnacle of 90s rock was Nirvana, but also that their entire message fundamentally reduces to "I'm young, I'm troubled, I'm doing heroin, I want to die." This is because things arrive here in "pieces" and in a confused way. If it weren't so, we would know that Pearl Jam, for example, had at least equal success to Nirvana in the USA with their first two albums (of which I wonât mention the names because you obviously know them, and I donât want to teach you anything), while here we didnât even notice, and we would surely have been moved by Layne Staley's death no less than we were for Cobain's, but we don't even know who Layne Staley is. Itâs just that we're a strange people: we believe that classic rock is Celentano, that heavy metal is Vasco Rossi, and now we even think that grunge is Verdena. For every cultural/musical phenomenon that emerges in America or the rest of the world, we only grasp the most superficial aspects, clean them up so they don't cause too much scandal in public opinion, and then sell them off in our own way. Thus, we have our local myths that are worth one tenth of the original ones they draw inspiration from (not to mention "copy from"), and who essentially make popular music as our millennia-old tradition dictates, albeit with a minimum of influences in their sound, but they consistently offer the same tired and overplayed stuff, in a frightening stagnation, for decades. Rock groups, yes, but without exaggerating, otherwise people get scared and then they donât sell anymore. Fake, polished, and sanitized, allowing âthe youthâ to feel rebellious but not scaring the moms too much. We're a people that loves background music, music that can stay there and not be too bothersome, that accompanies us at home or in the car on the radio, and that makes us sing when the chorus comes. And in all this, genuinely valid Italian bands that play rock, metal, and grunge seriously are forced to remain in the underground, destined for global indifference and ignorance. Just to give an example, we had a fantastic rock band in Italy, the Timoria. Nobody noticed them for years and years: too heavy, too much personality, loud drumming, too noisy guitar riffs... and meanwhile Pelù was doing well with Litfiba and his mentally ill verses were mistaken for "singing style." Until the Timoria, orphaned by Renga, their historic singer, released that terrible piece, "Sole Spento." Renga remained anonymous until he pursued a solo career and presented himself at Sanremo. Then, if we want to go further into the underground, I can tell you from personal experience that in Italy, especially in the south, the hardcore and heavy metal scene is vibrant and full of incredibly talented bands that, unfortunately, will remain there ignored by everyone because, although they could have a consistent following, they arenât commercially interesting to anyone and would stir too much uproar: we are too nice a people to accept that those who p