supersoul

brother imasoul...May '88 at Bloom in Mezzago?

let's give Jordan Herlow what belongs to Jordan Tarlow but also what belongs to Nadroj Wolrat, being part of the Outta Place, the Morlocks, and the Fuzztones is no small feat in the realm of garage music enthusiasts.

Let's say that the Procol had to move past the departure of that great guitarist Robin Trower, who contributed his last significant work on Broken Barricades, which is almost hard rock. After the main part of this album, the keyboards had the biggest influence, but fortunately, Gary Brooker was a great songwriter. No matter how musically baroque they may seem, the lyrics were filled with biting irony. T.V. Caesar talked about the invasiveness of television (Television Caesar sneaks into every household's bed), and A Souvenir of London discussed the "trinkets" you can pick up in London (I bought a souvenir in London but I have to hide it from mom/I have to show it to my doctor because it shows no signs of retreat). If I remember correctly, it also had issues with radio distribution. But certainly, the deep lyrics of Guns N' Roses are a whole different story compared to these silly things ;)

It moves me to hear people getting excited about Guns N' Roses :D

"Tonight we are eating at the Hotel Ritz, dry champagne, ripe grapes, Dover sole, oeufs mornay, profiteroles, and flambé peach." My eyes are shining... I was a young boy translating texts into Italian, 5 for the memory of those years.

We talked about this film in a previous review; the true thread running through it, invented by Altman and Brackett, is the cat. Marlowe betrays his friendship by not providing it with food, and it disappears. When, in the surprise ending, the old treacherous friend Terry shouts at him "you're a born loser," the shameful Italian dubbing has Marlowe respond before getting his revenge "not this time," while in the original version he says "and I also lost the cat."

totally agree with imasoulman, a moral operetta in twelve (or sixteen?, I don’t remember well) chapters. Matthau here is stratospheric, equal (God forgive me) to Groucho Marx with his cynical and loquacious talk. The relationship between Harry and Boom Boom is the result of the final awareness of being different and excluded from the triumphant arrivisme of American society. One of Wilder's most beautiful films.

Earlier I meant group and not seminal disc; the seminal disc is not the collection but the first GDP.

The reviewer had their say, but in my opinion, they didn't understand a damn thing about this album. A seminal record from extraordinary people (like Jah Wobble, not even mentioned—who was that?). Listen closely to Levene's guitar in Public Image, and you'll understand where people who've made billions like The Edge went shopping.

for me the genre is better represented (besides Urban Dance Squad) by people like Fishbone or Living Colour