supersoul

defender 85 is one of those who says enough to the pussy-crazy culture and then intervenes four times, contributing to making the reviews of these sluts reach double the views of the Doors and quadruple that of Tom Petty... meditate, people, meditate, it's exactly what the detractors want, whom you line up to give a 1.

Speaking of MOOK, what a coincidence, just yesterday I was listening to the downright crazy first album by the Fun Lovin' Criminals (please, someone review that trio of parasites!) and in "King of New York" dedicated to the mobster John Gotti (the one with the chorus "La-di-la-di, free john Gotti!") the first line goes "Franky was a MOOK from the block we used to live on." Incredible how life works....

...here we go, satire is banned, and then we complain when those in charge of La7 kick Luttazzi out for mocking Ferrara. I don’t make any deals; if you review movies I’ve seen and want to comment on, then I’ll comment on them, and I’ll even give a rating to the review, even a 5 if I like it, without any reservations, not like you who avoid rating the "contras."

@ole, you're welcome! I don't know if they're easy to find, but they were an amazing hard-progressive band! Germans from Cologne with an English singer, lasted only one year and had just one album in 1971... Also, take a look at Astral Navigations, also from 1971, they're wonderful.

@odeadek, it's true, the enthusiasm for something I like has stayed with me, and that will never make me a fully reliable reviewer, hehehe. @melissa: yes, it's Dirt Farmer, this gentleman I had left with throat cancer (true) in the film "The Three Burials," where he played an old blind man, and now he's here to delight us with his voice as if it were back in the days of Up on Cripple Creek.

...would quote Variations in the sense that they would get excited...

But have the metal discs come to an end? Jokes aside, Battlegods has made a remarkable effort at revival, but you can tell his background in handling the material, because otherwise he would reference the opening and closing of the album with the two "Variations..." which were an adaptation of "Trois gymnopedies" by Eric Satie that astonished us quite a bit. Basically, the album is a summation of covers ranging from Traffic to Laura Nyro, Motown repertoire, Billie Holiday, combined with the two hits by Thomas and Katz plus the long suite Blues Part II. The commercial fortune of BS&T was that the experimental Al Kooper left and this Canadian singer arrived who had a truly extraordinary voice. Trumpeter Lew Soloff has become a jazz great, and Steve Katz an excellent producer who also played harmonica on the first Lynyrd Skynyrd album!!!

...now I'm really happy: the two lines of positive criticism from Mereghetti have arrived...thank goodness, I was on pins and needles.

Old man, I saw this compact a few years ago, with the sticker calling to mind the Arcade Fire, and with your fine "parlantina," you make me regret not having given it a listen. But today it's perhaps a bit distant from my immediate needs. For a few weeks now, also thanks to your "cazziatoni" about the exuberance of my impetuous choices despite no longer being in my prime, I'm going back a bit to my roots, first with that guy, Roy Bingham, and now with this splendid & miraculous old chap, Levon Helm, who continues to refuse to leave my player with his new and extraordinary album.

@contemplation that of the Genesis was a provocation (it even rhymes). This is a site where just a skank on the cover is enough to attract over 400 contacts (see this Vanessa Hudgens) while the usual Genesis get all the attention and the Doors get ignored. Does that seem logical to you? And then "in concert" we've heard at home, on the tram, at the beach, on the toilet, in bed while we were getting laid, so new recordings, whether listenable or not, are welcome. If we want sonic perfection, we should go buy the artists from ECM, also equipping ourselves with a supporter to contain the overflow of our balls.