ilfreddo

DeRank : 6,94
DeAge™ : 6976 days • Here since 5 may 2007
George Lucas Star Wars: Episodio I - La Minaccia Fantasma
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I prefer Portman to Knightley, although it's a tough choice. A few extra kilos wouldn't hurt her.
Stratovarius Polaris
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to the short and pleasant writing
Stratovarius Polaris
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But dear derecensor, what are you looking for? Originality in Stratovarius, who, as we know, died musically speaking in '97 and are limited to surviving with duplicates for the fans between one split and another? It's like looking for a modest virgin on the sidewalk, don’t you think? Therefore, I don’t understand your anger/disappointment in realizing that the Earth keeps spinning.
Marilyn Manson The Golden Age of Grotesque
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I completely agree with WORKHORSE. He's a slick player, Manson; he manipulates the audience and media masterfully. He has built an image, and that’s the result of his international fame. The image he’s created makes the ultimately elementary and repetitive sound he uses seem more extreme, harder, and intricate. Many of his songs clearly resemble each other in structure, and while they don't bother me, it's hard for them to convey something that leaves a mark. It’s also true that the covers he does are really good. Hypnotic and dark is his version of Sweet Dreams. Ultimately, I find your review interesting as you explain the sources of inspiration for the album.
Pornosonic Unreleased 70's Porn Music
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"no one had ever had the honor of listening to these notes without having at least one hand occupied" aahahahaaah. Great page
George Lucas Star Wars: Episodio I - La Minaccia Fantasma
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Anyway, Giorgio Luca has put it up our ass properly given the outrageous earnings from this new saw. 5 for him, 1 for us.
George Lucas Star Wars: Episodio I - La Minaccia Fantasma
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A load of crap of a movie, stripped of the charm of the original trilogy that never excited me anyway, and filled with special effects. It’s eternal; it could be wrapped up in half the time. It’s remembered with annoyance for: the pointless character Jar Jar paired up with little Anakin for the throne of the jerk-off king, useless special effects for the sake of the story like the 20 minutes of the ridiculous "kart race," and then damn, if we want to make a mess, at least show something of Natalie Portman.
Stieg Larsson Uomini Che Odiano Le Donne
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Just to clarify and put a nice block of granite on top. I labeled one of your statements as childish, that is, infantile, simplistic, banal, and superficial because you initially said that this was the worst-written book of recent years. Only AFTER did you explain that you weren’t acting like a pretentious know-it-all and that your judgment was simply relative to the books you had recently read... once that was explained, my childish remark retracts on its own without any apologies because you hadn't explained yourself well and therefore my comment wasn’t a gratuitous insult. From the initial post, it seemed, and I interpreted it as such, a generic judgment, a sentence, and consequently something childish, from a bunch of kids. hackeremosi and definitive regards.
Stieg Larsson Uomini Che Odiano Le Donne
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Bartle...the issue is simple. The book and the trilogy deliberately focus on the character of Lisbeth. Several people, including myself, like it; you don’t. Okay. We understand that, for you, it's trivial. After your fifth identical post, we’ve got your point of view. I don’t think that your sixth copy-paste post will change my/our minds. As for the claim that it’s poorly written, in fact, the worst-written book of recent years... I find it written with more dignity in terms of structure, plot, and vocabulary. When I think of a badly written book, I think of, I don’t know, Moccia.
Stieg Larsson Uomini Che Odiano Le Donne
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I can agree with you that this book is certainly conventional in terms of plot. I wouldn’t give it more than 3 and a half stars. But, as mentioned, it’s clearly a bait, an excuse, and a long intro that sets up the next two chapters where the genre shifts and we dig deep into Lisbeth. Only by reading them does one realize that she is not a banal and stereotyped character but the natural consequence of her past. The other characters are... honestly, Bartle, I don’t agree with your really childish statement, "Perhaps the worst written book since The Da Vinci Code." Come on, there are objectively far worse things, in my opinion. In the genre, it’s truly a successful trilogy.