Valeriorivoli

uMano case, FINALLY: OLLLèèèèèè

STILL COMMON PLACES AND PRESERVED, PREPACKAGED PRECONCEPTIONS, and down with arrows to anyone who touches any crap coming from Great Britain, especially from the 60s, particularly 65-68;
ABOUT Cockroaches, you can never say a damn thing ehhh it’s more than obvious by now,
given how a good 90 percent of debaser reacted: That the Beatles are excellent melodists, great composers for a period of their career, that they did quite a bit of hard work, this is true: that McCartney is intellectually an evolved idiot is not just me saying it, it was Lennon, as well as his exes on something else; That Harrison was despised by his own production company partners as a manic-depressive with a really nasty character is well known: read what Riki Gianco says, when in their dressing room Harrison told him goodbye spaghetti eater... Oh dear Italic fools, the Beatles sang in different languages except for Italian, too busy the baronets: WITH THAT AIR of fake idiots like the Beach Boys, whose stupid poses they even imitated... with the words Love, love, love repeated in every song, you can’t help but think are they for real or are they just playing us, are they encephalitic or is there something underneath that will come out sooner or later.
And don't come to tell me that in the 60s all the bands were like that because it’s not true. THE BEATLES never did anything randomly, from corrupting the DJs and the stores with the first album - the manager - Great band for 3-4 years, but not the greatest and this particularly annoying album:
Nutella is disgusting, it’s fat enough to die, try Novi cream, then you’ll tell me - another common place NUTELLA IS GREAT.

vellutogrigio, thank you for the compliments, finally a bit of honesty regarding the tomatoes thrown at me for some of my more provocative reviews - see: concerning the comparison with Black Sabbath, I agree with you, perhaps it was synchronicity between the two bands, maybe the first of the Sabbath coagulated and opened certain influences for the very early BOC when they were still trying to define a style. Maybe they are mirror images, anyway BOC are much more refined than Sabbath; the cultural approach is certainly different. I will read your reviews on the other albums, Spectres has several gems, but it’s really Godzilla, the hit, that I find unconvincing. It’s a bit arena rock, with the rubber monster at concerts. Cultosaurus is inferior to it, as I prefer Mirrors, but it’s still an excellent album with some spectacular moments, for example, Deadline, which makes the record worth it, then Marshall Plan, The Divine Wind. Fouorigin is the group’s last great album, a brilliant last gasp. Perfect songs, heavy rock and new wave together, beautiful arrangements, and then that unsettling Don’t Turn Your Back after J Crawford...

Oh, I almost forgot that on the American tour of Electric Warrior, there was a young backing singer named Aretha Franklin.

Antifake or Anti fag... you're a fluffy little queer, and pick yourself an Italian nickname because it's this land that feeds the many homo-foreigners like you: "a captivating charisma that hadn't been seen since the Beatles" is the truth, you fool, I don't write falsehoods, read the press and check out the clips from that time. But look at me, I make a precise and detailed review, and I have to be attacked regardless; she's an idiot, she should inform herself, ask around.

NO LUCIO BATTISTI-mogol DISCOMUSIC PERIOD NO, I won’t touch it period 76-80 no.
Scheccheggiante Faust'o, that’s trash for sure not the cugini di campagna, they are popparoli but they understand harmony, they can do a little choir a cappella, many only know about cappelle.
Eptadone, mandrax, funghi send it to me.

DEBEER, you’re a sick idiot, you haven’t understood anything about rock ‘n’ roll, rock doesn’t necessarily have to make sense or be lofty, you have shit in your head and in your heart... AH, you idiot, since you call yourself a beer, you must have the sick belly of a frog, and surely you enjoy covering yourself in shit in private, seeing as like a 5-year-old child, all you know how to say is “medda medda, I need to poop”... shame on you, brain-dead with dyslexic pornolalia.
To the others, thanks for the compliments: I dared because this album gains depth over time, hehehe.
THE COUSINS ARE awesome in their trashiness; in 20 years and even sooner, they will be rediscovered: you know everything is rediscovered, everything is recycled, la fenech, la guida, Lino Banfi. Just the fact that they created a carnival costume mask, becoming a deteriorated but significant cultural phenomenon, is something. Yes, I may seem crazy, but deep down I believe it’s true… listen to the album.

That album is very old, it's from high school when I was doing glae rock and roll; I need to update the fracicone site: these are simple little songs with no intellectual pretensions... with references to Beach Boys, v.rossi, Ramones, etc. I'm convinced that if you listen to them better and with a good stereo, you'll like them... maybe we can comment on them together... what do you think, cagoia?
0 pretensions

Mediocre and icy disc, lacking creativity, made of nothing, a few ideas repeated infinitely. HERE are true dinosaurs cashing in at their museum. A bad trip awaits you if you let this soundtrack get to you. The wind, already used on other albums...the real Pink Floyd are something else, these are usurpers, excellent tradesmen who recycle themselves at a golden price. Buy only Barrett's 2 albums.

Dear friends, I was at Ivano Michetti's house many years ago with Sandro Oliva, an Italian zappa player (see www.sandroliva.com). In fact, tonight in Rome there will be his party with freakkantoni, remoremmotti as guests at the ex Ambra Jovinelli, at 9:00 PM. I will also be there, dressed up in different types of rockstar costumes to join in with his band.
Ivano has an incredible musical culture, regardless of what he does with the cousins.
I also understand the game they are playing, for money like many others: I know the falsetto can be annoying; I don't know the new singer, but I know Paul Manners... at that time he was as trendy as the Bee Gees' falsetto. We're in a post-glam-Italian pop-suburban Sweet realm.
I have nothing to say about the early PFM; I even saw them live in the 80s with much more commercial material - Miss Baker tour - Orme not too refined, Area I know are great jazz-rock musicians but by then they had become niche. De André always reverses on the same song; he’s more of a poet than a musician - Creuza de ma is folk, beautifully arranged but it’s folk, folk that's all folks, boys, like Canzonissima folk: an ecological niche. - I've already written about Battiato, see my review of Roxy Music.
The cousins are popular music, let’s not mix genres, zero pretenses.
V.R.