Hetzer

I really enjoyed the beginning, but then you got carried away with an unnecessary childish enthusiasm. I give you a one because the word "SPIZIO" doesn't exist, damn it; if anything, "OSPIZIO" exists. Shame on you! As for the movie, I go back to what a dear friend told me some time ago: "There is no fourth Indiana Jones chapter." Geriatric poster.

Antifake, it should be noted that in the ancient world, only economic security could afford literary otium and inner exploration; nonetheless, tragedies were specifically conceived and composed to be understandable to all. The plague-stricken rightly reminds us that the enjoyment of drama was guaranteed for everyone and funded by the state, but not only that. The very fact that the subject of tragedy was myth, perfectly known even to the poorest because it was passed down and disseminated at every level of society, ensured that each spectator could feel involved in a certain sense, as everyone was witnessing events and stories that they knew well, which ascended to the rank of exemplum. In my opinion, you fall into a naive and disheartening intellectual mistake: that of measuring the mindset and sensitivity of a bygone era with a modern yardstick and expecting to judge it by contemporary values.

If in one part of this album "our Moro dedicates himself to actual protest by getting angry with a society too influenced by media consumerism and the illusions of a fake and soft world," then how come he doesn't give away his records, charges to appear on TV, and even shows up at Sanremo? To protest? Aside from these details, his voice is simply reprehensible. And anyway, the cactus I have on my balcony exudes much more intelligence than this corn on the cob.

I apologize for the typos scattered here and there.. Giocata is Giocasta, Polibio is Polibo, etc..

It is a rough and unfinished work, and this should be taken into account in the artistic judgment. I think it's important because it definitively closes the literary phase "in the style of Dunsany," and introduces HPL to his phase of perfection. As you rightly say, it is a bit of an atlas, a curious catalog where characters external to the Carter cycle (like Pickman turned ghoul) also emerge. Even though it is rough, I personally find the fianel part very successful.

I found the review too long and not engaging at all, as well as plagued by mistakes. There's no need for too many words or to waste too much breath. This is a nice example of pop-porco, or rather, a disaster.

Interesting album for its use of electronics and impeccable production. There are tracks that work well, like Zoo Station or Acrobat, and others that already bear the refined and annoying pandering of U2, like One.

Some time ago I read that Guillermo del Toro wanted to make a film based on "At The Mountains Of Madness". It seems he is a great admirer of HPL, and if I remember correctly, Hellboy opens with a “quote” from the "aberrant" De Vermiis Mysteris. However, I later read that he will be focusing on The Hobbit. Unfortunately, the quality of film productions inspired by Lovecraft is quite low; the only decent one is probably Re-Animator, which is also inspired by a memorable story.

Stylistically, it stumbles a bit in some sections, but in my opinion, it is HPL's MASTERPIECE; it contains all of his best characteristics, and more importantly, it is by far the best chapter in the Cthulhu cycle, in my view. The fantastic story of Earth achieves stunning results, and the visionary aspect is simply unrepeatable. In the last years of his life, Lovecraft would reiterate his disappointment, the sense of inadequacy and emptiness he felt (in fact, it was the poor success of "At The Mountains Of Madness" that would propel him towards self-disgust), but it is undeniable that from 1931 to 1936 he wrote true masterpieces, among which the breathtaking "Shadow Over Innsmouth." I reread all his stories at least once a year, and every time they grip me. Masterful.

A limping description.. In my opinion, the review is not enough; describing a film like this is truly difficult, perhaps impossible.. However, to discover what Russia was really like at that time and what the 1905 revolution was, nothing is more enlightening than a book by Frank Thiess, "Tsushima."