Fabrizio Moro
Ognuno Ha Quel Che Si Merita

First of all, I would like to discourage the category of users who will insert gratuitous votes and comments (both positive and negative) without first listening to the subject in question, by telling them: your hands should fall off!

Well, this young man I am about to talk to you about is starting to amaze me more and more with his strange personality. He exudes undeniable charisma through that calm and intelligent gaze, wise and combative, but what really surprised me is: "Everyone Gets What They Deserve," the album that came out the year before the notorious "Think." This work is truly a great white pearl, rich with many unknown little pearls both internationally, nationally, regionally, and municipally. It thus becomes my central goal to make it known to as many people as possible with the good hope of bringing joy and serenity even to the souls of others.

Our Fabrizio, meanwhile, has an incredibly characteristic vocal quality and a notable "screamy" range, secondly, he decides to focus this album on irony, on rock, and on social issues.

The dance opens with the ballad "Yet You Demanded to Be Called Love" which, beyond the title, hides an entity much more aggressive than you might think. The joking begins with "Banal Explanation" where the guitars rage in an excessively gut-wrenching finale. There's no lack of reflection in the piece that shares the name with the album "Everyone Gets What They Deserve," which forever brands Fabrizio as a notable lyric composer.

Unfortunately, there's not a single track in this work that doesn't deserve a few words, and indeed, I spend some even for "It Takes a Business" where our Moro dedicates himself to true protest, getting angry with a society too influenced by media consumerism and the illusions of a fake and sluggish world, but told in his own way it's a whole different story.

And then there are these two most quirky and particular songs of the century: "Lisa" and "Don't Be Angry," I really don't understand how one could have such a twisted mind to be able to create a similar result... really absurd, nothing is missing from this collection of pearls, not even a track dedicated to some other artist, and so here comes "Everybody" for Rino Gaetano, whom our artist is inspired by, immediately diverging with style and personality.

The last two tracks are still tirelessly reserved for joking around about falling in love with his woman with "The Indian" and a surprising finale in "How."

Fabrizio Moro continues to amaze me, enchant me, and entertain me; I am fully convinced to be one of the few to enjoy the privilege of appreciating him as I have lost my blinders some time ago...