Bubi

Wyatt is certainly a highly regarded artist, as evidenced by the fact that this collection is dedicated to him. However, I have some doubts that the artists mentioned are capable of reproducing his lyricism and passion when he sings. Are we sure that this album adds something to the original?

The film is nice, although I don't consider it a masterpiece. The best scenes are the ones where Peppino mocks the mafia. (Badalamenti) But it's not true that there haven't been good films about the mafia in Italy; "Placido Rizzotto" or "Salvatore Giuliano" are the first that come to mind, and the latter is certainly better than the one you reviewed. Rosi has made other great ones.

You write: "blackdog makes the matchmaker open with sciusciola, these are the comments to explain this strange event" and then you ask: "Does anyone understand German?" Yes, someone understands German, but not you! Because what you are writing is the most nonsensical nonsense I've ever read. Furthermore, I also don’t believe that you are a woman, because in your personal profile you write that you are beautiful and even more that you are a super woman, and no woman would ever write that about herself.
Now I’ll put you to the test: Fischers Fritz fischt frische Fische, frische Fische sind von Fischers Fritz gefischt. Translate that into Italian, please. Now one more: Blaukraut bleibt Blaukraut und Brautkleid bleibt Brautkleid. Translate that too, if you are so good at German! You have to know German, not just want to know it!
Bye.
Hello, all the best...

I don't know them, but they seem interesting.

Good job, Lanegan. I'll take care of you is my favorite. PS I can't send messages.

DANVERLAINE you can think what you want, but aggressive is not the right word; rather, your comment irritated me, in which you labeled an album as manipulative and then gave it a 5. I wrote to you to reread the review because perhaps you hadn't even done so, as it seemed clear to me that you are one of those who just come to provoke; I have good experience with types like you. Let me copy and paste those few lines that, in my opinion, capture the essence of this pop-rock-psychedelic, and also symphonic album: The spell that turned this album into a masterpiece lies in the subtle work with which the "Love" managed to weave flamenco embroidery into a rock sound fabric, reconciling beat and psychedelia, the sound of strings with brass. Contrasts resolved masterfully, brilliantly playing on the fine line of daring balances, incredible cohabitations, and the risk of falling into kitsch. The result was an album of "symphonic psychedelia" still enjoyable today because every ingredient is perfectly measured. Songs of incredible emotional power, which captivate because they are rich in hidden suggestions... PS If you want to know what I will do now, it’s very simple: I will ignore you. Rather, I have the feeling that it will be you who will chase me to provoke me. (Maybe with another nik)

Nice review, I round down to 3.5, 4. Don't get mad, come on, in a few days I'll be more generous for the next one. 4 for the group because they have quality, even though I can't stand them. You see, it's okay to acknowledge quality, but not to love listening to them. I could give more examples.

Ruffian? What the hell are you talking about? They walked into the recording studio barely able to stand; making a ruffian record was the last thing on their minds. For me, the album is a masterpiece. Reread the review.

I haven't listened to the album, but I know his music well enough. I don't like it because it doesn't move me. Even if they're not phenomenal, I prefer Diaframma.

Don, with your intense promotion for Neil Young, you’ve led me to get 10 albums by the artist. I’ve realized you were largely right. You know, back then (I know we’ve talked about it), the dualism of Stills and Young made me snub him, as I considered Stills better both as a guitarist and as a songwriter. Maybe that was true during the Buffalo and CSN&Y times. But it’s also true that in their solo albums, Young is clearly superior; I can say that now that I’ve shed my prejudices. I’ve somewhat downplayed Stills; I realized that also while re-listening to Supersession where Bloomfield is superior. I had seen him as a wreck shortly before he died, which is why I never deepened my exploration. But I've done it in recent years, and that’s why I wrote a review of him under the name Melissa. Now I consider him one of the best guitarists of all time (along with Link Wray, Arthur Lee, and others). But at this moment, my passion is for those three... it will change. Panta rei, everything flows... even tastes. With all due respect, I’m sure that for you, Young will remain the non plus ultra. Why is that? I saw an interview with Stills and Young on YouTube; they were (or seemed to be) good friends.