Voto:
If you’re not clear about your ideas, what are you reviewing it for? This is one of Bunuel's best works; my favorite is That Obscure Object of Desire.
Voto:
You described it well, the album is beautiful.
Voto:
Are you surprised if I say that I haven't seen it? Too bad, because as usual you've piqued my interest, even though I'm not passionate about Japanese filmography, apart from the more well-known ones like Kurosawa, etc. Matsumoto isn't even mentioned in the Morandini.
Voto:
Alright, given the nickname you chose, I understand that you defend Gilmour. I never claimed he was a poor guitarist; he did his part too. But it’s not thanks to him that Pink Floyd became immortal. If you want, we can end it here; we've already said everything there was to say.
Voto:
I have talked about compositions, guitarists capable of evoking emotion with a single note, with a unique and unmistakable guitar technique—there are countless of them; if you want, I can write you an endless list. Compositions, I repeat, compositions—what immortal compositions has Gilmour composed? Waters and Barrett have written many, and what about Gilmour?
Voto:
Is there something about Gilmour that will remain in the history of music?
Voto:
Listen, Carlino, I was talking about the history of Pink Floyd in general; if, as you say, he has faded away... I don’t care. The compositions that have made Pink Floyd immortal are marked by Waters and Barrett. Moreover, if Waters has faded, how come I have a beautiful album of his labeled solely Waters? If he was psychopathic and full of bitterness, I couldn’t care less; I listen to his music, the rest is fluff.
Voto:
The thing that discourages me the most is that if you criticize certain groups or albums that have reached the status of "untouchables," the world comes crashing down, but at least you can understand who the fools are on DeBaser, meaning those who don't respect others' opinions and comment by offending.
Voto:
For me, instead, several species... is a great composition, a fully successful exercise of skill on Waters' part, who, after Barrett's forced exit from the group, remained the only great artist; the others are merely good supporting players. Mason, Gilmour, and Wright will fade into oblivion; of Pink Floyd, only the aforementioned Waters and Barrett will be remembered. If you read my comments, you'll better understand what I think of the album. Bye.
Voto:
Iside, it's a matter of taste; in any case, both are good. Blueberry, thrilling stories, better than many western films, not to mention Tex Willer; moreover, it's beautifully drawn, but it's always a matter of taste. Do you like Robert Crumb?
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