uxo

Dear sickness, with all due respect, I know Esselunga very well and its internal mechanisms, and I am not lacking in connections, from union representatives to inspectors. Moreover, due to my professional background, I am also very familiar with other equally important chains, and believe me, you wouldn’t find better elsewhere. I speak from a neutral standpoint, to be clear, there is no bias in my comment, just a collection of observations and experiences built within the market environment. I take your comments as a venting, a moment of stress, because we both know how much SL demands from its employees, but we also know how much it offers, how it professionalizes, how much it pays, and how proud one can be to work for an excellent logistical operation. And believe me, I currently work abroad, and the logistical operations here are lacking compared to those of SL in Italy. Consider that a strict and demanding internal organization is not against the quality and merit of the workers, but rather in favor of their commitment. There are dozens of demotivating factors in other chains that are absent in SL. With this, I close, and I pass the ball to you for a calm and serene discussion based on our experiences. Bye.

I find your analysis good, and I appreciated the closing on the "characters."

...fuck those who don't change their mind....

Macaco, antoniodeste, you have calmed me down; after all, the rece has brought a smile to my face too.

a warm greeting to CONTE and ANTONIODESTE (what the hell, you’ve never given me a 5, if I had known before that you like this shit...)

What a load of crap! This album is absolutely among the best ever by PAT for me. I just received the remastered edition as a gift and I’m enjoying it repeatedly. No sensible or useful content, no reference to the trio, no time placement, and among other things, this review has already been done. Nothing at all. Zero.

We are open to everything...I see

the merit of the album is that it should be digested slowly

I believe you have underestimated the conceptual work. In 2006, Antoniodeste reviewed this work in a sober manner and, in my opinion, attributed the right connotations to it. The artist's evolutionary context and the historical context of cont.jazz should not be overlooked in a complete evaluation of the work itself. The mention of Buddha Bar is inappropriate. My presence on the deb has become a rare thing; some comments in this review, which reflect an alarming level of baseness, are an excellent repellent for me. I feel more comfortable as a silent observer, waiting for a descriptive inspiration that has yet to return.

Ah shit, the topics touched upon. It’s a comedy in the Italian style, right? The incredibly talented Vanzina tell the story of Italy during the tangentopoli, of corruption, of the incompetence of law enforcement, of homosexuality, youth wanting everything immediately, the Bellucci (symbol of Italian women) who gives it away in a couple of hours, unemployment, crime, the crisis of the circus world, damn how many themes (that I'm missing), no no it’s a masterpiece come on, without modesty.