Core-a-core

DeRank : 1,73
DeAge™ : 7161 days • Here since 1 november 2006
Forgotten Tomb Negative Megalomania
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What can I say? Tonight I'm listening so I'll also vote for the record.
White Lion Mane Attraction
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So schul, the production of Mane Attraction is really very very good. The sound expresses all its energy at levels never heard before. Perhaps, paradoxically, a bit too high. I had never considered the Bratta / Oliva proximity, but the reference is excellent. Well done for the right intuition.
White Lion Mane Attraction
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This is for the average.
White Lion Mane Attraction
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The review is a bit disorganized but rich in insights. I agree on the diversity of WL compared to many other bands of those years. I also agree on the similarities between Bratta and Oliva. I don't agree on the improvement of "Broken Heart." For me, the first version, apart from being a song full of meanings, as well as the one with which the band introduced itself to the world, remains unbeatable. Rougher, but unsurpassable. But this is a detail. Anyway, great job, Schuldiner; it’s a good thing to put in passion, ideas, and the desire to resurrect those years. You just should be a bit more organized in my opinion. Best regards.
Moonsorrow Verisäkeet
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I have always thought that Viking was a prominent exclusivity of Moonsorrow.
Moonspell The Antidote
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Without infamy and without praise.
Enthroned Prophecies Of Pagan Fire
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hahaha "Davejohngilmour's brother"... I laugh just because the joke is funny and I hope Dave doesn't take it the wrong way, as he indeed comments like Geeno. I completely agree with death. By the way, since you mentioned them, I'm expecting the Setherial. And I would be curious to see your review of Hate Forest or Silva Nigra. Cerny Kult is waiting for you, come on.
Marilyn Manson Lest We Forget
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Um, the vote for this shit. Anyway Cuntgrà, you just have to give me a feic.
Mike Tramp's White Lion Last Roar
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I don't agree with the wooden songwriting; it may be cliché, but for the rest, it seems to respect the stylistic features of the era. It lacks originality, in short. Tramp's vocal interpretation, in my opinion, is very warm and personal—it might not appeal to everyone, but I think it's not really open to criticism. Now, regarding the choruses, well, your thought is understandable, Pier. Perhaps the real flaw of this group is exactly that. As for Bratta, there's not much to add compared to your first comment.
Marilyn Manson Lest We Forget
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It's a fake.