deathinaugust

DeRank : 0,50
DeAge™ : 7167 days • Here since 26 october 2006
Enthroned Prophecies Of Pagan Fire
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So, the one about fornication comes from an interview I read online (it’s real, though) on the internet: it was obviously just an example made by one of them, out of the blue. I don’t think he actually hooked up with his sister... the album doesn’t exist; Galakordi made it up, and I played along. But even if it did exist (there are far worse things in black and gore), it would just be an album.
It’s a bit unfair on your part to present yourself as the “better person” without knowing anything about us and not saying anything about yourself (who the hell are you, where do you come from, what music do you listen to, what cultural background do you have - at least one!): it’s easy to criticize like that; you could be a pedophile trolling through others' reviews to insult them in the name of justice. There are people here who talk about music, and you come in discussing values, as if ours were infected because of the music we listen to; do you hear how you sound when you speak? Where do you live, in Bosnia, where people go around slitting each other's throats in the name of their beliefs, thinking they’re superior?
Enthroned Prophecies Of Pagan Fire
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setherial: "north," Mutiilation "vampires of black imperial blood," blodulv "blodulv," and dodheimsgard "crowned bla bla bla" will be the next reviews. I eagerly await a doctrinal (oops, educational) work in which Monsignor (oops) Genoo illustrates how a "model young person" should be.
Enthroned Prophecies Of Pagan Fire
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I tried to get laid, but I listen to the enthroned and I don’t have a sister: so I listen to the depressive; I get depressed and blame the church for my lack of freedom (?!?), so I burn churches. Sad life, but not everyone is free…
Enthroned Prophecies Of Pagan Fire
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by the way, these are strictly reviews for those interested in the genre; everyone is free to enter, even to comment negatively, but doing it like this makes no sense: are you perhaps Dave Jon Gilmoure's gratello?
Enthroned Prophecies Of Pagan Fire
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Wow, what a discussion, strange. Genoo, you can't be serious when you say you didn't understand that the story about the sister was something they said, not me. By the way, the irony was obvious. You remind me of a commenter on the site who gave me and the album a 1 in a review (Mayhem, Dawn of Black Hearts) where I was trashing the album: what sense does that make? I don't understand if you present yourself as a music expert or a content expert. If you were the former, then you wouldn't understand much, since you didn't express judgments on the music anyway; in the latter case, you would be free to talk, but at least make sure to do so with justification—otherwise, why comment at all? What do you gain, respect?
Marilyn Manson Lest We Forget
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Anyway, I am one among housettaro, milanese, and dethster, easy on the insults...
Marilyn Manson Lest We Forget
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Marilyn Manson is a paradox. He is appreciated by very young people who cannot truly understand him, as a phenomenon, and is discarded when they grow up and experience other "diversities" that I would say are more stimulating (musically speaking, of course!). Therefore, he is always misunderstood by those who listen to him. So, being young, he bears no blame for the content. However, keep an eye on the form. Read it carefully again.
Enthroned Prophecies Of Pagan Fire
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Critique is one thing, engaging in media nonsense is another. Critique is explaining why the review is terrible, why the album is bad. Commentators like you are nothing but registered fakes...
Eminem The Marshall Mathers LP
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With all due respect, I don't see how one can pay 35 euros for a haircut like Eminem's and a dye that can be done with hydrogen peroxide. Stan is a nice piece.
Enthroned Prophecies Of Pagan Fire
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It’s true, it’s a black metal opera in three parts, centered on the initiation into satanism of a young man, who discovers he is the son of the devil and must then join his sister to establish the kingdom of Satan. It’s based on a novella by Jon Osterreich, adapted into a film titled "L'avvocato del diavolo," although it has been twisted into a modern key. It’s from 2002.