matteowolf

What a drag! I don't think it's the intentions of the director of this little film to bring about any kind of revolution.... The idea of redoing the Christmas story in a cynical way is fine by me..... but.... what a drag!

if you had used fewer breaks between one sentence and another, it would have come out much more pleasant than it actually is already...

And above all, let me immediately contradict you, I actually like Ramazzotti... actually! Sometimes he really gets me hyped up

even though he sings with a potato in his mouth.

Is that enough for you???

granpaul, I don’t want to throw shit around.... since my comment (left yesterday!), an additional six million accusatory comments have appeared..... but the accusation isn't because you demean Hendrix.... actually, I really like songs like Fire or Wild Things, but I won’t be convinced by his singing style too much.... and the fact is that THERE IS NO LOGIC IN WHAT YOU SAY, IN FACT, I'LL GO FURTHER.... saying that YOU ARE A RACIST does not diminish the concept of racism.... and don’t push back the major political issues for which racism isn’t this.... it’s also this. If you had told me "okok, I don’t like how this man sounds for this, this, and that" (even if trying to diminish him in the role of an untouchable myth) I would have understood... but it's you who is throwing shit at great artists WITHOUT EVEN MAKING IT CLEAR WHY.... SHITTY RACIST!

"To testify to the negligence of our own in this record towards the end of the fade-out when the sound diminishes, there's a rustling of papers and the creaking of a chair, noises that no one bothered to cut"....but are you stupid?????? IDIOT, IT'S DONE ON PURPOSE, IT'S ONE OF THE FIRST EXAMPLES OF MUSICAL LOOP! ASSHOLE!

Guys, calm down! There's no need to insult a poor soul who doesn't have much intelligence... and here’s the proof: "Let's admit it... the only thing black people can play are drums!!" ...well, this is the manifesto that YOUR IGNORANCE HAS GAPS, PIECE OF SHIT!

@Gonzo Biputre: I was cleverer... I managed to listen to the single "umbrella" zero times. I only heard (just because it was featured in a pink tulle, if I'm not mistaken, in the video) the first song she released (S.O.S.), which was nothing but a rehash over a fantastic electronic track from an '80s group... strange that I don't remember the group, given my passion for electronic music... who knows!

bamboccione.....first of all, I would like to know if you know the REAL Litfiba, or those from 17 Re or those from Terremoto. Secondly, I want to know who these many are....no, because I know a myriad of people who know who Pelù is, they associate his name with Litfiba, and if they do associate it with Litfiba, they don’t know any songs, and if they know a song, it’s "il mio corpo che cambia"....imagine if they know Cabo etc....p.s.: the very latest Litfiba had names that sounded like Finley: Gianlu, Cabo, Ghigo etc!!!!!

As I hope you know, I just reviewed the bootleg of Live in Marina di Carovigno from 1985 (http://www.debaser.it/recensionidb/ID_20887/Litfiba_Live_In_Marina_di_Carovigno_Bootleg.htm)......the fact is not just that it was completely different music—that 1985 tour is my favorite—or that a series of incomprehensible choices for most fans were made by Litfiba in honor of an unspecified form of musical renewal—musical growth, and I’m sure that most fans who, like me, disdain Regina di cuori and Mascherina would have preferred it if they hadn’t thought of renewing after Terremoto....the problem is WHAT Litfiba have quickly become: that is, the poetry of the early 80s is, okay, unrepeatable, but I would also say that the cleverness with which they seized certain Anglo-American hard rock stylistic traits in the early 90s deserves praise.....the fact that a year after Colpo di Coda (phenomenal live on EMI label) they released a (already) half misstep like Spirito, in which even the most overwhelming tracks like Lo Spettacolo were tainted by an apathy in drawing the listener in, brings me to tears.....reading your review— heartfelt, for this you deserve a solid 4—even someone who has never listened to the album understands that the Litfiba after Piero are nothing but the most miserable and bruised remnants of that thing which was already crap in Infinito....not so much the music, but the ideas, and the fact that such a band, which could have broken ground in Europe even against the most drastic Cure if they had wanted to, has reduced themselves like this: with a singer who ruins ALL the old songs (see Guerra or Dimmi il nome) attempting to unsuccessfully imitate the inimitable style of the harder Piero....follow me: these are the LITFIBA, and in their discography there’s an album (Insidia) that vaguely and very unnaturally recalls another album (Terremoto) which, in itself—within the discography of the same group—is not remotely comparable to the magic of a Desaparecido or a 17 Re (let it be clear: I adore Terremoto!) from a career perspective can only deserve, at most, a 1.5......evaluating the album in itself, I would say that if it had come from the guitars and bass of an emerging alternative rock band, it would score between 3 and 4.....instead it’s 1
clear?????
OPEN YOUR EYES!
Lo Tzigano

I have reached 10 versions of Tziganata!!!!!!! The Live in Rome from 1985 is incredible, as is the one from Live in Lecce 1987 (although the audio quality is worse).