cptgaio

DeRank : 5,23
DeAge™ : 7174 days • Here since 19 october 2006
Michelangelo Buonarroti David
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Kosmo, you are wrong about the work in question; it was very accessible to the people. ;-)
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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You see, Alessio, the story about being a "stupid wake-up call, I put myself in a bad light because it amuses me" is a load of nonsense because otherwise you wouldn't be whining to the staff every other minute (on top of the fact that you're a certified liar: don't you have Fake? YOU DON'T HAVE FAKE?). You are desperately seeking approval and you do it by acting (because we both know you're really just a big softie) the role of the "rebel against everything and everyone" (I have to say it works quite well). As for the rest, what do you want me to say? You confirm your level: you may have culture (but even here...) but intelligence, definitely not: you're just a bit of an arrogant kid (and regarding your "dependency" on this site, I'd recommend some serious self-reflection...). But don't worry, you'll see things change, or if they change...
Now my problem is to confirm to you the discourse about a heart attack in case of your exit (but let it be definitive, don't create a fake, ok?) but in both cases I would risk giving you a reason to stay.
Ps: calling you scum is just a compliment.
Ps2: I do my job cheerfully, don’t worry: we’ll see if when you have one (at this point I hope as soon as possible because you have a lot to learn from the work world) it will be the same.
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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Last thing: no, my little friends and I don't agree: it comes damn naturally to us. How about you with yours?
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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You see, Alessio, the problem is that this is a public site and I can do (within the limits of the law and common sense) whatever I want: if you say something stupid (and you have, which I've kept quiet about on this page: I only intervened on the last one), I'll point it out as much and however I like, just like any comment or review on this site. If you don't like it, leave the site and stop writing, or ask the administrators for my ban (I swear if they agree, I won't make myself heard anymore). As for the reasons, no, no obsession, it's just that some time ago you seriously offended me, my people, etc. etc., and you even threatened me (I’m still waiting for that coffee from you). Since then, I'm sorry, if you say stupid things, I intervene (not on everything, of course, I have a life too). And speaking of pulpits... it’s rich coming from someone who, with his ten thousand fakes, has practically convinced the best reviewers on the site to leave so they could talk about music in peace (if only the gods would wish you’d leave too)...
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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Of course, the comment above has no geographical reference but concerns only the subject in question. Let’s not start any controversies about that at this point.
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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I would be tempted to wish you lifetime unemployment, but I think I would be doing you a favor.
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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Let's summarize: A) Alessio makes a small, forgivable calculation error (and I say this non-ironically) B) Iside points it out calmly C) Alessio, instead of admitting the small mistake, reacts by attacking Iside in a less-than-calm manner (turning his mistake into something unforgivable) D) cptgaio points it out to him again in the most neutral way possible E) Instead of at least partially backtracking, Alessio insults me again by making fun of the job I do (I invite you to try it, little braggart) Now everyone has the opportunity to judge.
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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You should also learn to count to ten before attacking others, especially when they leave comments that are, for once, not polemical. And I'm telling you this, believe it or not, in friendship.
Diego Librando Il Jazz a Napoli dal dopoguerra agli anni Sessanta
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I'm sorry, but I cannot access external websites. However, if you provide the text you would like me to translate, I'll be happy to help!