cptgaio

DeRank : 5,23
DeAge™ : 7174 days • Here since 19 october 2006
Marilyn Manson Born Villain
Voto:
I don’t know if I'll listen to it, but I don't think it’s a good album (feelings). By now he’s out of context: it's fair to say he hasn’t kept up with the times (his music expressed in the first, second, fourth, and fifth albums, judging by what I hear around, still seems relevant).
Jane Campion Ritratto Di Signora
Voto:
A film that succeeded halfway. Kidman was not the most fitting choice.
Goldfrapp Head First
Voto:
It's a nice album: probably the lightest among his works, but it fits, even the '80s vibes. A somewhat clumsy review and a few comments and counter-comments from musical little scientists studying anal bagpipes, not a great page overall.
Raffaella Destefano Filologica
Voto:
It's a miracle that a Pop album of this level was born in Italy.
Carlo M. Cipolla Allegro ma non troppo
Voto:
I quote the comment of Uncle Odra.
Afterhours Padania
Voto:
The world is beautiful because it is varied (and full of crazies) and DeBaser is partially a reflection of that (partially because the concentration of "casumanità," said in an obviously flattering way, is significantly higher here than out there). In particular, it makes me smile kindly to notice that works that are definitely below average of the After here are considered valid, while those "vera(mavera)veramente" deserving are often subjected to the DeMachine of DeMud (which happens with other artists/bands as well). Now, I don't know why this happens, although I have very specific ideas about this phenomenon worthy of Giacobbo's evaluation, but the fact remains that each time it's a subtle pleasure to note that it is as punctual as the periodicity of Norwegian scabies. That said, I de-auscultated "Padania" until the 55th second (and I'm not joking) and, feeling disheartened, I stopped it, so I have no idea how it is (but everything makes me believe it is "moltissimamente" bad, in line with the three previous ones, four if we consider the anglophone version of "Ballate per Piccole iene"). Nice review.
Harland And Wolff R.M.S Titanic
Voto:
Beautiful.
Iron Maiden Powerslave
Voto:
I hope the reviewer won’t take offense, but I just couldn’t bring myself to read the review (and not at all out of any antipathy: I’m always in favor of some healthy trolling), though I did read a few comments. What can I say? "Powerslave" is an album that enjoys a certain reputation among non-fans (and I include the "sympathizers" here because with Maiden, you’re either in or out: there are no halfway measures) while among fans, I know very few who list it among their favorites (except for those who perhaps discovered this formidable band through this album). The reasons are many, but probably the dominant one is that certain thread of emotional coolness that covers it almost entirely (so for fans of a band that has made empathy and strong emotions its hallmark, a certain wariness is understandable) but at the same time, it likely represents their technical peak (hence the general approval from the "infidels"). I’m no exception and would never mention it among my favorites (in fact, I find it the weakest of the so-called "Golden Age"), even though when they launch into "2 Minutes to Midnight" live, it’s always a barrage of gut punches; but in the end, it's the only track from this album that has that effect on me. That said, this album undeniably made History (and also many little stories, not less significant) especially in terms of "spreading the word" (I remember the "World Slavery Tour") and as such, fans treat it as a religious relic, a bit "obscure." That being said, it is also clear that it’s the most listened to (?) album by detractors alongside "The Number of The Beast," who love to treat it with a casualness that is often quite amusing, given that it often mirrors the opinions of many supporters who are also quite "zealous" (like the saying goes, even fleas want to scratch). But still, one cannot blame people who don’t know what they’re talking about when, in the end, we’re just dealing with songs, and it’s better to just laugh about it.
Sinéad O'Connor How About I Be Me And You Be You?
Voto:
Good album, but listening to it feels like "Universal Mother" is from another space-time.
Lana Del Rey Born To Die
Voto:
I wanted to leave an intelligent comment of my own, but the little banner under the review pushed me to look for mature ladies in my city, and now I'm going to sign up. P.S. I liked the album even though it's the classic pre-packaged product.