fosca

I had lost it!!!!!!

It's not a piece of shit review at all, instead...

There's no point in continuing the discussion started here and on other similar pages; after all, Sfascia has clearly expressed his thoughts above (n°20)... and I must admit that, having gotten into the right mindset, the review is extremely pleasant and exhaustive enough to tempt me into making a purchase or at least indulge in some curious voyeurism online! And then, whether an editor or not, Sfascia writes very well, regardless of how much or how little it is. Sometimes we should remember a bit more - I first and foremost - that this site is not professional at all and that "browsing" here is a personal pastime and certainly also a way to stay informed, and on that there's nothing to say. Regards to everyone from Your Madamigella Fosca, From Milan.

While quoting comments 19 and 21, and thanks to the fact that I should know a fair amount about the subject, considering my now distant university journey at the Politecnico di Milano many years ago, I feel compelled to fully support the thoughts and final comment (22) of Cptgaio because, despite my marked preference for Architectural Functionalism and the thought and culture it embodies, like him, I am much more instinctive and "feel" Wright's work much more intensely than Aalto's (a genius) and many others; perhaps even Le Corbusier was more impactful in this regard, yet he has always fascinated me less. To help you understand what I mean (surely with convoluted phrasing), it's like saying that for me, Frank Lloyd Wright is to architecture what David Bowie is to music; there's no debate, it's my supreme passion..... Bye

While quoting comments 19 and 21, and thanks to the fact that I should know a fair amount about the subject, considering my now distant university journey at the Politecnico di Milano many years ago, I feel compelled to fully support the thoughts and final comment (22) of Cptgaio because, despite my marked preference for Architectural Functionalism and the thought and culture it embodies, like him, I am much more instinctive and "feel" Wright's work much more intensely than Aalto's (a genius) and many others; perhaps even Le Corbusier was more impactful in this regard, yet he has always fascinated me less. To help you understand what I mean (surely with convoluted phrasing), it's like saying that for me, Frank Lloyd Wright is to architecture what David Bowie is to music; there's no debate, it's my supreme passion..... Bye

Oh my God, what a throwback, I almost shed a tear! And here I am, having paused, in the sense that even though I own a PS2 and other similar games, for me this and only this is THE GAME. Back in the day, I used to play it on a PC with Windows 98, connected to concert speakers at a friend's house who played in venues: we usually played at night, in the basement, somewhat high, with no lights and just the background sounds of the game… so intense it felt like we were going to shit ourselves!!!! Siiiggggh, what memories!!! Beautiful review.

Comment 10-realramona: I wasn't talking about the music of Ventre, dear, but about Greenaway's films in response to the person who started the discussion earlier. You can go back to being a shepherd. Gracias

I skip all the comments, I haven't read the book and I don't think I ever will, not out of fear of the lady in black with a scythe but from a lack of interest in a discussion that is more statistical than literary, so I’ll just say that I really liked the review. But did you really read it all voluntarily??? Bye

I arrive as always fashionably late... I’ve only known them for 2 days (gulp!!) but I have to say: 'AAAZZZZ I REALLY LIKE THEM, a lot, eh?? Hey Psycho, always a pleasure......

I don't know this one well; more simply, I would say that what I truly know is Catastrophe Ballet, which I've merged into my being from listening too much: BRAT, definitely get it........... Bye