Io Ho Il Pene Banned

DeRank : 0,14
DeAge™ : 7203 days • Here since 20 september 2006
Jeff Buckley Grace
Voto:
But even a little kid understands that Tim was more brilliant and equipped with an exaggerated vocal technique beyond reach for any other singer, not to mention the quality of his records far exceeding grace. In my opinion, even on Lorca, Tim expanded his voice in a prodigious way on the title track compared to Happy Sad. Of course, by the time of Starsailor, he was already a werewolf, at the peak of his vocal experimentation.
Jeff Buckley Grace
Voto:
Tim Buckley was an extraterrestrial to everyone, not just to Jeff. Those who know a bit about music understand that it's pointless to make comparisons with Tim Buckley, coming as he does from another planet.
Pink Floyd Live At Pompeii
Voto:
garbage (the review obviously)
Bruce Springsteen Darkness on the edge of town
Voto:
but who is going to seriously start kicking this brute Dave Jon's ass??? like grabbing his IP, doing a port scan and IP sniffer, and stealing his hard drive so he can't connect for at least a couple of months, or do I have to think about doing this again??
Lou Reed Berlin
Lou Reed Berlin
11 nov 06
Voto:
the cruelest record of the 70s
Led Zeppelin Physical Graffiti
Voto:
sick again perfectly closes the album with a cruel sound crash; indeed, the track was among the crowd's favorites (perhaps due to its inherent sexy charge) and was never missing from concerts held between '75 and '79. One only needs to see the sick again from Knebworth '79, with Page pushing the limits of physical and mental debauchery, sporting an employee look (the terrible pants and blue shirt) on stage, showcasing his supreme class. The album is a 5 and I find it infinitely superior to the third Zep record for its exotic brilliance and the varied attitude of the tracks that comprise it. In my time of dying live showed what these four were capable of.
Death In June Nada!
Voto:
their best together with brown book
Neil Young Silver & Gold
Voto:
typo: - FROM 1989 year of freedom TO 1996 - I meant to say
Neil Young Silver & Gold
Voto:
I don't understand one thing: when you say that after Sleeps With Angels there were no more peaks, is Sleeps With Angels included in the decline of Young, or do you start the decline from 1995 with Mirror Ball? Because Sleeps With Angels, if it's not a masterpiece, is very close, and even Mirror Ball from 1995 may not be a peak, but it remains a great album. I would rather say that it was from 1997 onwards that Neil Young's downward phase restarted, but from 1989, the year of Freedom, to 1996, the year of Dead Man and Broken Arrow, Neil Young had returned to a state of sublime grace.
Giacomo Puccini Tosca
Voto:
better Madame Butterfly and Turandot