mementomori

Alright, the scene with the non-existent little ball is one of the most significant in cinema. VOTANTONIONI!!!

Thank you all... I haven't heard the latest from Neurosis, but I saw an interview where there were some background clips that sound very promising... as for album of the year, it’s still early to say, and of course my tastes play a significant role... anyway, it doesn’t seem to me that, so far, there have been many great releases in other areas either, but it’s possible that I might have missed something...

No, targetsky, I haven't heard the latest, but it doesn't seem like anyone is shouting miracle...

It is a choral work in which the Self refracts into infinite points of view, precisely because when faced with themes such as war, life, and death, there is no Truth... Malick is a director out of this world, but I have to say that I found this film to be somewhat cloying at times, in my opinion overhyped... good review that echoes the underlying idea of the film...

Guevo, I can agree with you for the first three quarters of the film, but the ending is, all in all, disappointing; it's a bit like the mouse that is born from the mountain... in my opinion, a good screenplay, besides giving the right rhythm (and in this sense it really is good), must also withstand from an emotional climax perspective, the consequentiality of the premises, and the fulfillment of expectations, and in this second aspect it seems to me that there is a decline in the ending, and the psychological journey of some characters seems artificial... "Idioti," which I appreciated less, has for example greater rigor from this point of view, and the ending is very strong and carries a meaning that partially rehabilitates the film from its other shortcomings, while "Festen," in the end, seems like a well-conducted game but also self-serving... a matter of tastes and perceptions...

but no, ajeje, what are you even saying...it's just that life is so beautiful that sometimes you have to pretend to be unwell, otherwise you get bored...don't worry, be depressive! thanks Death for the clarifications...I hope, one day, I too can be the cause of your torments...

great Death in August...I have to say that depressive is a genre I'm discovering on the pages of debaser...as for agony, I personally was stuck on burzum and abrupthum, which were no joke, but the desire to get updated pushes me with insane masochism towards these new shores for me...in an extreme effort at synthesis, could you point me to the THREE ALBUMS to have from the depressive genre? (I suppose there will definitely be Xasthur and Leviathan...) hi!

Here the mystery is truly unfair... the whodunit is built more on throwing in red herrings, confusion, and a crowd of characters than on the validity of the plot... and I can believe that in the end there’s a twist; the killer has a motive that’s too ridiculous, it’s not something you could figure out... that’s not how you make mysteries! It’s a shame about the ending, because throughout the film a certain tension had been skillfully built up...

the first dogma I saw and certainly my favorite along with Mifune... however, I am convinced that if I saw it again today, it would certainly disappoint me, as I would rediscover the limitations of the time that were not grasped, especially on the screenplay level. Nevertheless, I like to remember it as a fun experience with really remarkable peaks of sarcasm. The actors did a great job... seen back then as an intellectual experiment with no purpose, today I feel I can say that dogma has left a profound mark on cinema (see also Inland Empire by Lynch)... unfortunately, beyond the form, what matters remains talent... for example, the other night I watched that crap Red Road by Andrea Arnold, which was a bit dogma-like (not by chance the film comes from a project by von Trier) and I feel like saying that two crooked shots never save a weak screenplay... great work, Sfascia, you remind me of the good old times, when we were less of a pain in the ass and enjoyed more...

useless film... I love the director, even for his lesser works, but here he really missed the mark... it comes across more as a divertissement (is that how you spell it?) among friends... here and there there are a few highs and it even gets a couple of laughs (the scene of Deneuve's death is absolutely fantastic!), but overall it’s a waste. wasted cast.