Hcerebilnavols7

Includes hits such as "Castle on the Hill," "Galway G," "Barcelona" [which upon the second listen I realized wasn't the cover of Freddie M.y's], "Perfect," "Happier," and of course the web record of recordings "Son o' the Moon-twenty-sev...uh, "Shape of(f) you." The others, while proving to be far less catchy, have atmospherically marked the end of the last decade [with strokes of acoustic riffs and loopstecion, boom!]. A cover then of rare beauty, indeed... A nice one point to confirm.

Not a few thinking minds on debt argue that this would be a group of former craftsmen (initially of acceptable tones) who later sold out to the fake rock market, much like Negramaro, Virginiana M (discovered too late), or Subsonica, and abroad Fun, Coldplay, or Struts. Here, this LP is concrete proof to the contrary, because if in two or three songs a forceful guitar returns to the forefront over a “so & so” text, in episodes like "Nero," "Voglio una macchina del Tempo," and "in Orbita," one can hear an Indie vein mixed with the historical Italian singer-songwriter tradition of the 70s (with Fortis and the "more prog" Battisti leading the way). What can I say… Italians outside Milan, whether they like it or not, will have no choice but to reevaluate V upon a second listen; if it weren’t for the fact that in the "Sanremon" two years later, with the virus at the gates of the Mediterranean, they once again fell into mediocrity??

Well, from the first (from 2009 if I remember correctly) to the fourth Igz-fagdor I had plenty of fun, but after that, with the exception of Mara Dixit (which brushes against being trashy but makes you laugh until you fold in half), it turned into a concentrate of clichés, falsehoods, arrogance, cringe-worthy exchanges among the judges, and odious, ambiguous propaganda accompanied by cyclical mutilations of "song-manifestos" (as long as they mutilated just one in the entire edition it could still work after all) with intentionally endless breakdowns of the finals... and here’s the decisive seal httppealityshow.blogosfere.it/amp/p ost/506570/renato-zero-i-giovani-no n-hanno-bisogno-di-talent-show-per- crescere-sono-stanco-di-vedere-most ri.

A barely acceptable debut ("Higher than there - The woman for you," which has nothing to do with rock, ladies) and the rest mediocre, so mediocre that a 66-year-old could not have written or sung it any worse... 2 stars out of pity.