Psyco Alfred Hitchcock
Pure "I Protagonisti" e "La fortuna di Cookie" che metterei tra i primi 50

2

Stanley Kubrick • Il Dottor Stranamore. Ovvero come imparai a non preoccuparmi e ad amare la bomba

8

Francis Ford Coppola • The Godfather (Part I, II, III)

La terza parte si può anche togliere dalla lista.
Poco conosciuto ma bellissimo. (secondo me)
Almeno allo stesso livello: "La signora di Shanghai"
Altro GRANDE giallo è "Delitto in pieno sole" (Plein soleil).di René Clément che non ho trovato. Pure "Frenzy" e " L'altro uomo" (Strangers on a Train) dello stesso Hitchcock meritano di stare nella lista.
Regia di Ridley Scott

24

Stanley Kubrick • The Killing (Rapina A Mano Armata)

Dello stesso genere mi è piaciuto pure "Giungla d'asfalto" di John Huston, con Marilyn Monroe molto giovane. Dello stesso regista mi piace molto anche " Riflessi in un occhio d'oro" con Elizabeth Taylor e Marlon Brando.

26

Stanley Kubrick • Orizzonti Di Gloria (Paths Of Glory)

28

Alan Parker • Angel Heart (Ascensore Per L'Inferno)

Pure: "Lezioni di Piano" e "Sweetie" della stessa Jane Campion
anche Decalogo 4 - 5 - 6 - 9 - 10 inoltre di Kieslowski mi piace pure "Film Rosso" e "Film Blu"
Più o meno qui inserirei "Wittgenstein" film di Derek Jarman e anche "La guerra dei Roses" di Danny DeVito. A proposito di quest'ultimo (uno degli attori che preferisco), mi garba molto pure "Tin Men – Due imbroglioni con signora" di Barry Levinson.

33

Sergio Leone • Il Buono, Il Brutto, Il Cattivo

Aggiungo anche "Travolti da un insolito destino..." della Wertmüller che qui non si trova
Non solo per gli occhi.

41

Pedro Almodòvar • Donne Sull'Orlo Di Una Crisi Di Nervi

Pure: "Tacchi a spillo" dello stesso Almodovar.
La regia è di Silvio Soldini

47

Camillo Mastrocinque • Totò, Peppino e la... Malafemmina

Pure: "Totò contro i 4" "I tartassati", tutti di Steno
Considero il migliore di Verdone: "Maledetto il giorno che t'ho incontrato"
Pure: "Un sacco bello"
Il film è di Francesco Rosi.

62

Ethan e Joel Coen • L'uomo Che Non C'Era (The Man Who Wasn't There)

il film: "A sangue freddo" è di di Richard Brooks, con Robert Blake. (Ottimo)
Pure: "Professione Reporter" dello stesso Antonioni

66

Ettore Scola • Riusciranno I Nostri Eroi A Ritrovare L'Amico Misteriosamente Scomparso..

Pure "Una giornata particolare" dello stesso regista, che metterei tra i primi 30

68

Bob Rafelson • Cinque Pezzi Facili (Five Easy Pieces)

71

Blake Edwards • La Pantera Rosa Sfida L'Ispettore Clouseau

Dello stesso regista mi piace moltissimo pure "The Town" un film davvero ben fatto.
Molto belli pure "Gangster Story" di Arthur Penn e "Chiamate Nord 777" di Henry Hathaway con James Stewart, poco conosciuto ma assai avvincente.

80

Alan Parker • Fuga di mezzanotte (Midnight Express)

Di Parker mi è piaciuto pure "The Commitments" molta musica e una buona regia (come sempre).

85

Olivier Nakache, Éric Toledano • Intouchables (Quasi Amici)

Di Bob Fosse mi piace pure "Lenny"

90

Sidney Lumet • Quel Pomeriggio Di Un Giorno Da Cani (Dogday Afternoon)

94

Billy Wilder • Giorni Perduti (The Lost Weekend)

98

Elio Petri • Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto

Mi è piaciuto pure "Il nome della rosa" di Jean-Jacques Annaud con Sean Connery.

99

Sergio Leone • Once Upon A Time In America (C'Era Una Volta In America)

106

Milos Forman • Qualcuno Volò Sul Nido Del Cuculo

"I corpi presentano tracce di violenza carnale" di Sergio Martino e "La ragazza del lago" di Andrea Molaioli e "La doppia ora" di Giuseppe Capotondi sono a mio parere tra i migliori gialli italiani. Non capolavori, però vale la pena segnalarli.

108

John Boorman • Deliverance - Un Tranquillo Weekend Di Paura

Intendo "Twelve Angry Men" (1957) (La parola ai giurati)
Di Cronenberg amo molto pure "Inseparabili" che collocherei più in alto.

120

Luis Buñuel • Il Fascino Discreto Della Borghesia

Pure "Quell'oscuro oggetto del desiderio" che metterei tra i primi 40
A proposito di film di fantascienza, mi è piaciuto "Radiazioni BX distruzione uomo" di Jack Arnold. A basso costo ma avvincente.
Di Zemeckis mi piace pure "Cast Away" che metterei tra i primi 50 - 60
Più o meno allo stesso livello ritengo "Turné" dello stesso Salvatores "Senza pelle" di Alessandro D''Alatri e " La prima cosa bella" del mio concittadino Paolo Virzì
Mi è piaciuto anche "Mafioso" di Alberto Lattuada. con Alberto Sordi.
Anche "La meglio gioventù" che collocherei un più in alto.
Sarebbe stato un capolavoro se Visconti non avesse scelto la Calamai, ma sopratutto Massimo Girotti, poco adatto al ruolo. Molto meglio Jack Nicholson che interpreta lo stesso personaggio ne "Il Postino suona sempre due volte" di Bob Rafelson
Vale la pena vederlo, anche solo per ammirare Angie Dickinson giovane.
Bello anche "La calda notte dell'ispettore Tibbs" di Norman Jewison con Sidney Poitier.
A proposito di Milos Forman, da vedere pure "Larry Flynt" e ancora a proposito di biografie di personaggi fuori dal comune mi è piaciuto anche "Private Parts" di Betty Thomas, e Infamous - Una pessima reputazione, di Douglas McGrath

131

Steven Spielberg • Indiana Jones: I Predatori dell'Arca Perduta

Aggiungo pure: Radiazioni BX distruzione uomo, un bel film a basso costo di Jack Arnold.

132

Steven Spielberg • Indiana Jones - L'Ultima Crociata

Dello stesso genere mi piace pure "All'inseguimento della pietra verde" di Robert Zemeckis
Your comment on the chart

Comments on this chart
  • Poldo Sbaffini
    13 apr 13
    Psycho is spelled with an h :)
     
    • Bubi
      13 apr 13
      It’s spelled Psyco in Italy, Psycho in the original version. One of the many oddities of movie translations. When you make the rankings, you can't choose; you have to go with what’s written.
    • Poldo Sbaffini
      13 apr 13
      ah ah ah! It's almost like Prisencolinensinainciusol by Molleggiato... It would have been better to call it Psico ;)
  • madcat
    25 apr 13
    Bhee beautiful, I know quite a few, others I don’t but I’ll find someone, we have similar tastes when it comes to movies I know.
     
    • Bubi
      26 apr 13
      Which ones don't you know? If it wasn't clear, I love crime stories, but I also enjoy watching a bit of everything.
    • madcat
      27 apr 13
      Look, one for all, which is a gap I must absolutely fill soon: the hunter.
  • G
    27 apr 13
    Beautiful for real!
     
    • Bubi
      27 apr 13
      Thank you, I’m glad if someone shares my tastes. Which movies would you remove?
    • G
      27 apr 13
      Why remove? I would add... for example, Forrest Gump shouldn't be missing!
    • Bubi
      27 apr 13
      Forrest Gump is there, it's at 120, by the way with a comment, because I couldn't find "Cast Away." Have you checked the other rankings? I would love to know what people think about it. Although it's true that tastes cannot be censured, I'm fine with the critiques as well.
    • G
      27 apr 13
      Damn it! cursed tablets! I didn't read it. and crazy people in Beverly Hills?
  • nes
    27 apr 13
    125---"Beware of false prophets, who come to you in sheep's clothing but inwardly are ravenous wolves. You will recognize them by their fruits." one hundred twenty-fifth position? Either it's in random order, or you should be on guard against you :)
     
  • Bubi
    27 apr 13
    Laughton's film is a classic in its genre. The fact that it's on the list means I like it... from number 80 onwards, you can move things around; it just came to me this way. In a ranking that includes all genres, choices have to be made; for example, I've included many "comedy" films from 32 to 46.
     
  • pozzo
    11 may 13
    oh...finally I see Angel Heart in a ranking.....rather than Cronenberg's A History of Violence, I would have included Inseparabili or La promessa dell'assassino. I would also add that if you like Altman so much to put him in first place, perhaps you should consider including something by P.T. Anderson (Magnolia and Boogie Nights). Anyway...great ranking even if it has something that doesn't quite fit (Verdone) and something that's missing (namely Anderson but also Tarkovsky or something by Eastwood).
     
    • Bubi
      11 may 13
      I wanted to include Inseparabili, but I couldn't find it, so I mentioned it in the note under A History of Violence. Angel Heart is stunning visually, of course, Magnolia by Anderson. As for Eastwood, I really like Million Dollar Baby (tearjerker), Bird, Mystic River... Don't you like Verdone?
    • pozzo
      11 may 13
      The only Verdone movie I find nice is Compagni di Scuola.
    • hjhhjij
      11 may 13
      MDB is ultimately one of the least interesting from Eastwood. Unforgiven is still his best for me. Mystic River is indeed a great film.
  • Bubi
    11 may 13
    @pozzo, I almost forgot Tarkovsky. I know he's highly regarded by critics, but I can’t judge him because I’ve never seen one of his films; it may sound strange, but it’s true. Maybe I have a bit of a prejudice and I think he might be a little heavy. I don’t know if you noticed that I only included Amarcord from Fellini; I could also add I Vitelloni, but for example, films like 8½ or Juliet of the Spirits I found boring. As for Altman, sooner or later I will write a review of "The Protagonists" and "Cookie's Fortune," both wonderful. I have already written the review for "America Oggi."
     
    • nes
      11 may 13
      8 and 1/2 really sucks for me...
    • nes
      11 may 13
      amarcord is one of my all-time favorite films instead...
  • hjhhjij
    11 may 13
    "I've never seen one of his films, it may seem strange but it's true." No, it’s not strange, but make up for it :) Anyway, it's a prejudice, yes and no, because yes, it’s heavy but yes, it’s extraordinary. "Films like 8½ or Juliet of the Spirits I found boring." Well, 1) it doesn't mean you have to find Tarkovsky boring too, even though watching Andrei Rublev or Stalker might be a stretch for you; it happens. 2) And La Dolce Vita, Bubi? Am I wrong or are Bergman and Lang also missing? Anyway, I applaud a good part of those present in the ranking, even if of course I don’t agree on everything but oh well :)
     
    • Bubi
      11 may 13
      Look, I really like Lang, La strada scarlatta, Il grande caldo, La donna del ritratto, they are very beautiful. If I find them, I’ll rank them, even though I don’t want to drag it out too much. From Tarkovsky, I have both Andreij Rublev and Stalker; I started watching them but gave up after a few minutes. I’m sure that if I watched them all the way through, I’d probably like them. I have time; sooner or later, I’ll do it. Perhaps by looking at the list, you’ve realized that I adore crime stories (without disdaining other genres); I mostly watch thrillers. The same can be said for Bergman as for Fellini, but I did put one film in the ranking. La dolce vita is a masterpiece, perhaps the best film by the director (the bitter and meaningless life).
    • hjhhjij
      12 may 13
      "The Scarlet Street, The Big Heat, The Woman in the Portrait." All great films, indeed. I recommend, in case you're not familiar with them yet, the films from Lang's expressionist period, masterpieces like Metropolis and especially M – The Monster of Düsseldorf, which I believe suits your tastes perfectly. Yes, those Tarkovsky films should be watched carefully in their entirety at least once in a lifetime; they might not please everyone, but you never know (by the way, between Kubrick and Scorsese, he's my favorite director ;) "The same goes for Bergman as for Fellini, but I did include one of his films in the list." Ah okay, yes, I've seen it. Bergman is another one who can indeed bore (not with me, I’m totally captivated, for example). I agree on La Dolce Vita (although I prefer 8½), but why isn't it on the list? Is it not letting you add it, by any chance?
    • Bubi
      12 may 13
      Kubrick, Scorsese, but I would also add Altman, Hitchcock, Wilder, Coppola, Allen, who at nearly 80 still writes good films (one a year!!). And let's not forget the Italians like Sergio Leone, who taught the Americans about westerns, or at least reinvented them. Then there's Scola, who is at the top of the game worldwide, even as a screenwriter. Okay, he's a bit old now, but films like Una giornata particolare remain a part of history. Etc.. etc.. La dolce vita was indeed missing, but I made up for it.
    • Bubi
      12 may 13
      Kubrick, Scorsese, but I would also add Altman, Hitchcock, Wilder, Coppola, Allen, who at nearly 80 still writes good films (one a year!!). And let's not forget the Italians like Sergio Leone, who taught the Americans about westerns, or at least reinvented them. Then there's Scola, who is at the top of the game worldwide, even as a screenwriter. Okay, he's a bit old now, but films like Una giornata particolare remain a part of history. Etc.. etc.. La dolce vita was indeed missing, but I made up for it.
    • Bubi
      12 may 13
      As for pre-war films, I've included few or none at all. It was a very different cinema, of course there are masterpieces like, for example, The Great Dictator, Citizen Kane, or Double Indemnity, also many works of Laurel and Hardy, but in my opinion, critics often give 5 stars to films that don’t deserve them. I found Monsieur Verdoux boring, the same goes for Sunrise by Murnau. These are personal opinions; certainly Mereghetti or Morandini think differently. If I have to watch Metropolis, I might do so with a bit of bias, however I was already planning to watch M - The Monster of Düsseldorf. To make a long story short, I think many films from that period lack a good script, and I place a lot of importance on this aspect.
  • Geo@Geo
    3 jun 13
    It was a tough job, but it was worth it ;) I've practically seen them all, and you know what that means... I'm no longer twenty years old:DD
     
    • Bubi
      6 jun 13
      I'm not twenty anymore either. Do you have any suggestions on what to add? ... And also what would you remove from the list?
    • Geo@Geo
      7 jun 13
      There are three movies that I love: Jesus Christ Superstar by Norman Jewison (1973), La leggenda del pianista sull'oceano by Tornatore (1998), and A Time to Kill by Joel Schumacher (1996). As for the rest, I wouldn't know, but I wouldn't include Indiana Jones (even though I like the saga), and from Hitchcock, I would only keep Psycho; otherwise, I would include them all ;))
    • Bubi
      10 jun 13
      I didn't see the moment to kill, I liked Jesus Christ Superstar (Jesus, no, wrong choice of singer) but as far as rock operas go, I prefer Tommy. The Legend of 1900 is a fascinating movie with a nice story but a little lengthy. I'm glad you would include them all, it means we have similar tastes.
  • hackerhacked
    16 jul 13
    Considering the ranking done "bullshit" in every sense, I don’t understand why Thelma & Louise doesn't appear as number one, and anyway, Match Point at five seems like a setup (also in every sense, including any personal preferences of the operator) brutal.
     
    • Bubi
      18 jul 13
      It's a great pleasure to know that you don't like it. I would have been offended if you had enjoyed it.
    • hackerhacked
      18 jul 13
      So I appreciate, actually always considering certain "trends" appreciA, (the film doesn't appear in the ranking, but it doesn't surprise me tks)
  • SydBarrett96
    18 jul 13
    Great ranking, there’s really everything. It’s also nice to see that among all the titles, "I Cento Passi" by Marco Tullio Giordana stands out, a gem.
     
  • ken read
    15 feb 14
    cute
     
  • RIBALDO
    3 nov 16
    cute but take that fucking MATCH POINT off the third place!
     
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