Martello

Your comment on the chart

Comments on this chart

• 

  Ditta

  11 apr 20

  A little bit of Venditti, Graziani, Fossati would be more than fine. For the rest, excellent ranking.

   

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    Martello

    11 apr 20

    Time will tell. It will grow as I grow musically.
• 

  Eneathedevil

  22 apr 20

  Ah, De André too high with Non al denaro. And also Storia di un Impiegato. Rather strange and very subjective choices: I’m not a De Andre fan, but the absence of Crêuza de mä strikes me. Just like in the case of Battisti, where “bianchi” and Una Donna per Amico have the right to be on the chart, but the lack of Anima Latina is grounds for complaint. But what puzzles me the most is that Viaggi Organizzati at the ninth place. When I heard it for the first time, with Dalla who had "lost" the Stadio in favor of Mauro Malavasi's new electro-pop sound, I felt disoriented: I became aware that with this album, Dalla's great season was over (he would have a few last gasps with Caruso, some tracks from "Cambio" and "Henna" and not much more). It’s a sufficient album, definitely "drained" compared to Dalla's great insights of the '70s (and yes, I don’t think there's a single track on there that is worth as much as "Il cucciolo Alfredo" from a few years before).

   

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    Martello

    22 apr 20

    I would say that thanks to stacippa being subjective, I mention it (or imply it, if you will) in the description of the album. As for the rest, degustibus (I feel sorry for Creuza and Anima latina, which I consider excellent albums but personally do not reach the level of albums like Storia di un impiegato or Don Giovanni). For Viaggi organizzati, a different discourse has to be made: there are those who hate it and those who love it, like all albums in the end. Objectively, if we think of the Mare-LucioDalla-Dalla trilogy, it is inferior, but I am deeply attached to this album and I continue to believe that it is Dalla's highest point.
  • 

    Ditta

    22 apr 20

    @[Eneathedevil] well, "Viaggi.." was still a great album, a solid 4 balls (just like "1983"), the crash will happen with "Bugie." Of course, it still falls short compared to the 77-80 trilogy. As for the rest, I agree with you, it's a bit of a "strange" ranking but well done.
  • 

    Eneathedevil

    23 apr 20

    "To each his own"? "Then Raffaello is an asshole and Picasso is crap" (quote). I won’t let you off the hook for Battisti and De André, but your final phrase about the trilogia dalliana, where you add that necessary "objectively," reassures me: if with "Viaggi" you had your first pickup at the holiday resort in Gabicce Mare, I have nothing to counter. I too have my skeletons in the closet, rooted in summer macarenas tied to early youthful warmth.
  • 

    Eneathedevil

    23 apr 20

    Oh my God, @[Company], even 1983 was somewhat the beginning of the end. It’s less inspired and, wouldn’t you know it, there’s already the longa manus of Malavasi. I’d give it a 6.5. Organized Travels 6. In the end, I wouldn’t even say that Lies is that much beneath: I find it similar in structure (a song that "pulls" like All Life in the first one and If I Were an Angel in the second, the love songs "Stornello" and "Tu come eri" in the first and "Chissà se lo sai" and "Soli io e te" in the second, the fanciful digressions "alla Dalla" of "60.000.000 years ago" in the first and "Luk" in the second...), so for me it gets a passing grade. Then in the '90s, between Cambio and Henna, it even manages to bounce back, in my opinion. After that, forgetfulness or almost.
  • 

    Martello

    23 apr 20

    Wow Lies. I had forgotten it. Quite obscene, I must say, more than the struggling 1983. Comparing Chissà se lo sai to Stornello is like comparing Paolo Bitta to Willy Wonka, but alright, I can forgive that. And yes, after Cambio and Henna there will be little else truly worthy, just a few songs.
  • 

    Ditta

    23 apr 20

    @[Eneathedevil] Personally, I would give both "1983" and "Viaggi organizzati" a 7.5. They were two very different albums from each other, but excellent. "Bugie" barely makes the cut thanks to tracks like "Luk" or "Ribot," which weren't bad, but the single was truly awful. "Cambio" and "Henna," in my opinion, are slightly better than "Bugie" but a bit worse than "1983" and "Viaggi organizzati" (they don’t get more than three and a half balls primarily because of tracks like "Le rondini," "Apriti cuore," "Comunista," "Henna," "Cinema," "Latin lover," and so on). Unfortunately, from "Canzoni" onwards, it has become largely pointless; he started scribbling pop tunes just to please those at Radio Italia & company. In any case, for me, Lucio's golden period ends with the Q-Disc (81).
  • 

    Ditta

    23 apr 20

    *it wasn’t that bad..
  • 

    Martello

    23 apr 20

    @[Company] for me it ends right with Organized Trips, then it will catch a few more, including Cambio and Henna... but hey, to be honest, I would also add Luna Matana, it’s worse than Cambio but better than other stuff like Songs.
  • 

    Ditta

    23 apr 20

    I give "Canzoni" a 5.8 just for episodes like "Ayrton," "Tu non mi basti mai," "Domani," or the second version of "Disperato erotico stomp"; the rest is between disappointing and embarrassing. From "Ciao" to "Il contrario di me," they have never hit a single number, truly awful records. "Angoli nel cielo," on the other hand, I find to be more or less at the same level as the record from '96.
  • 

    Martello

    23 apr 20

    Well, at least 6 songs deserve it. The song was okay, not much to write home about but pleasant, and there are at least a couple of other worthy tracks. "Ciao" is slightly better (Trash always brings a smile to my face). As I’ve mentioned elsewhere, I’m afraid to listen to Lucio. On the other hand, for "Il contrario di me," I only needed "Due dita sotto il cielo" and "Rimini" to detest it (yes, that one deserves a failing grade).
  • 

    Eneathedevil

    23 apr 20

    But what kind of vote is a 5.8?
  • 

    Ditta

    23 apr 20

    You're less :D (even if it's much closer to 5 and a half rather than 6)
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    Eneathedevil

    23 apr 20

    Come on, now "Stornello" is a masterpiece and "Chissà se lo sai" is garbage. Both are relatively ordinary episodes when compared to most of Dalla's work. Moreover, the latter has even had more success with a couple of covers. The truth is that you’re emotionally involved (the story of the pick-up artist in Gabicce Mare), and your judgments aren't unbiased.
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    Eneathedevil

    23 apr 20

    But how closer to 5 and a half? Then 5.7! Or at most 5.74!
  • 

    Ditta

    23 apr 20

    ..so let's make it 5.7. Indeed, it's more balanced.
  • 

    Martello

    23 apr 20

    Who knows if you know, it's beautiful and so is Stornello, but they are two different things, I didn't mean to say that one is inferior to the other, a masterpiece that Stornello is gold and C.S.L.S is shit.
• 

  Mauro82

  17 may 20

  I fully align myself with the users who commented before me. Indeed, the absence of "Crêuza de mä" is felt, as well as that of "Anima latina" (although I can concede the bianconi, excluding "Hegel" and "Sposa." But "Una donna per amico" absolutely not). It is quite strange that the first two albums with Roversi and the self-titled '79/'80 albums by Dalla are missing, alongside the presence of "Viaggi organizzati" (which, for goodness' sake, is more than good, but incomparable to the aforementioned). The absence of Venditti's works from the '70s/early '80s ("Lilly," "Sotto il segno dei pesci," "Ullallà," "Quando verrà Natale," "Le cose della vita," "L'orso bruno," "Sotto la pioggia," "Cuore"), of Fossati from the late '80s/'90s/early '00s ("La pianta del tè," "Discanto," "Lindbergh," "Macramè," "La disciplina della terra," "Lampo viaggiatore"), of Bennato and Graziani from the '70s/early '80s (respectively "Non farti cadere le braccia," "I buoni e i cattivi," "La torre di Babele," "Io che non sono l'imperatore," "Burattino senza fili," "Sono solo canzonette" / "I lupi," "Pigro," "Agnese," "Viaggi e intemperie"), of De Gregori from the '70s/'80s ("Alice," self-titled '74, "Bufalo Bill," self-titled '78, "Titanic," etc.), of Vecchioni ("Ipertensione," "Elisir," "Samarcanda," "Calabuig...," "Hollywood Hollwood," etc.), and of Guccini ("Radici," "Stanze di vita quotidiana," "Via Paolo Fabbri 43," "Guccini," "Signora Bovary," "D'amore di morte..." etc., etc.) is quite peculiar.
  
  The presence of "Orizzonti perduti" and "Mondi lontanissimi" and the absence of "Patriots," "L'era del cinghiale bianco," as well as "Fetus," "Pollution," or "Caffè de la paix" (I do agree on "Fisiognomica"), or again the presence of "Terremoto" and the absence of "Desaparecido" and "17 re" is curious. As for Rino, I would have included "Mio fratello è figlio unico" and "Aida" instead of the last one.

   

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    Martello

    17 may 20

    I've just added Anima latina, the rest is missing. I know the ranking has many gaps, but it will grow over time.
  • 

    Mauro82

    17 may 20

    No worries, we’re not in a hurry.
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    Mauro82

    17 may 20

    .. and sorry for "Anima latina," I really hadn't noticed it.
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  123asterisco

  5 jul 20

  Another omission: Siberia by Diaframma (as well as Tre Volte Lacrime). I didn't expect that from a Tuscan like you.

   

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    Martello

    5 jul 20

    Yeah, I know I have to add it. #Toscanapertodos
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    Eneathedevil

    5 jul 20

    Well, a slip-up on just one album can happen... the problem, Martè, is that you've smoked all the '70s prog, one of the few good things we've managed to do in Italy! You need to catch up!
  • 

    Martello

    5 jul 20

    Time will tell. One day I'll listen to stuff that will probably go in here (I'm already aiming for works that I haven't listened to in a long time but have loved, like Storia di un minuto by PFM and Darwin by Banco del mutuo).
  • 

    Eneathedevil

    5 jul 20

    Eh, but you ask time of time (and it replies: I don't have any!).
  • 

    Martello

    5 jul 20

    Ask me for a hammer one day.
• 

  iside

  6 jul 20

  Not even one from Fausto, are you sure?

   

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  • 

    Martello

    30 jul 20

    Who?
  • 

    Martello

    30 jul 20

    Jokes aside, I don't know why but I don't even know a whole album.
  • 

    Ditta

    30 jul 20

    There’s one fundamental thing for you to know @[Martello], NEVER touch Faust'O at iside…
    Anyway, if you don’t know him, get to know him. Start with "J'accuse.....amore mio"
  • 

    Martello

    30 jul 20

    Do you want me not to know that Iside doesn't have the faust'omania? Anyway, I'll get to Faust'o in time; for now, I'm revisiting (or listening to again) people like Bennato and Venditti.
  • 

    iside

    30 jul 20

    @[Martello] start from the end: exit 1997 and the grass 1995
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    Martello

    30 jul 20

    The grass... should I be worried? Since there was an album of hers called Suicidio... I already like it.
  • 

    iside

    30 jul 20

    holy is the grass that gently opens the heart (quote)
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    Martello

    30 jul 20

    Now I'll make a note of this.
  • 

    iside

    30 jul 20

    Just think that in this song he has some Indians playing who he gathered in the park where he lived...
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    Martello

    30 jul 20

    ................................... ..............RESPECT
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    iside

    30 jul 20

    I'm sorry, but I can't access or translate content from video links. If you provide me with the text you'd like translated, I'd be happy to help!
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  Alemarcon

  29 jul 20

  Perhaps the most subjective ranking I've ever read. Not bad though!
  Some omissions (more or less serious):
  "Creuza De Ma";
  "Lucio Dalla '79", "Dalla '80";
  The Fossati of the late '80s, '90s, early '00s;
  The Venditti '73-'78;
  The Graziani '77-'80;
  For the rest, nothing to say.

   

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    Martello

    29 jul 20

    In theory, for me it’s not even a ranking anymore, but a “logbook” of what I normally listen to. Fossati, Venditti (of which only L'orso bruno is present in the ranking) and Graziani will come over time; Creuza could fit in, but unfortunately there’s a track (Sidun) that I’ve never been able to make myself like. I consider both of Dalla’s "golden trilogy" to be excellent, but each has tracks that I’m not really fond of (La signora nell'omonimo, Mambo in Dalla).
  • 

    Alemarcon

    30 jul 20

    ...I almost forgot about Daniele '79-'84!
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    Martello

    30 jul 20

    I need to delve into that better... much better!
  • 

    Alemarcon

    30 jul 20

    Pino Daniele '79 and Nero A Metà
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    Martello

    30 jul 20

    If I'm not mistaken, in the one from '79 there was Je so pazzo... definitely yes!
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    Alemarcon

    9 aug 20

    I've just realized an unforgivable omission: the triad "Fetus"-"Pollution"-"Aries" from Franco!
  • 

    Martello

    9 aug 20

    Aries is nibbling away at my brain just to appear...sooner or later.
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  Piknic

  12 aug 20

  Very strange ranking... does Silvestri's latest really deserve to be so high? And why aren’t there other important albums like Creuza de ma? And why isn’t there even half a mention of Vecchioni? But there is I lupi by Ivan... with I lupi, everything is forgiven!

   

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    Martello

    12 aug 20

    Vecchioni is a bit of a limit for me, I’ve never really been able to fully get into him... he feels a bit heavy. I consider Silvestri's latest a masterpiece without a doubt, where everything is played perfectly, but I understand that this is just my opinion and not everyone will agree with me. I won’t comment on Creuza, as I’ve already discussed it enough before. I lupi di Ivan is a #capolavoro with many gems, like Motocross. However, I’ve always preferred Pigro by Ivan, truly a colossal album. Now I’m discovering the stuff made after Seni e coseni, and so far I’ve found many gems, but I’ve only listened to 9 in full, which is nice even if somewhat underwhelming.
  • 

    Piknic

    12 aug 20

    9 was quite charming, it has many tracks that I consider essential like Lucetta fra le stelle or Geraldine and it is produced very well, but it seems like Ivan is playing it a bit too safe, losing some of the edge. As for the post-Seni era, I recommend the self-titled album from '83, a really great album full of gems, Malelingue which contains a nice handful of masterpieces like Sempre dritto in mezzo al cuore sparerò and Ivangarage, a solid slap of hard rock.
  • 

    Martello

    12 aug 20

    Mh. What do you think of Piknic and Cicli e tricicli? Sorry if I’m bothering you like this, but I want to play it safe.
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    Piknic

    12 aug 20

    But what a pain in the ass, actually if it's about Ivan I'm even glad! Cicli e tricicli is an album that recaptures a bit of the past's verve but it's "too produced," too many embellishments dressing up tracks that deserve more acoustic garb in the style of I lupi. On Piknic, the law of subjectivity rules: it's an album made out of contractual obligations and definitely not one of the most inspired, but it's also the one I'm most attached to. I recommend you give it a listen, but don’t expect too much.
  • 

    Martello

    12 aug 20

    Thank you so much, Pik! I'll take care of it right away!
  • 

    Piknic

    12 aug 20

    You're welcome!
  • 

    Alemarcon

    12 aug 20

    It's true, even Vecchione was missing!
    Eh Martellone, musically he has never been particularly visionary, but all the albums from "Ipertensione" to "Il Grande Sogno" are extraordinary. Then, after a few not-so-great albums in the eighties, let's say from '93 ("Blumùn") onwards, he manages to get back to excellent levels.
  • 

    Alemarcon

    12 aug 20

    Those from '71-'74 are also great ("Parabola" above all), even if I don't really like the singing style on those records...
  • 

    Martello

    12 aug 20

    I tried to listen to it, but I can't fully appreciate it. It's a limitation of mine, I know, but I still recognize the great talent.
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    Alemarcon

    12 aug 20

    I understand you. I'm like that with Guccini; every now and then I try to make myself like him, but I just can't do it, even though I recognize the value of albums like "L'Isola Non Trovata" or "Radici."
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  bohhh

  20 aug 20

  the western bride, spot 31: the worst of the white discs
  the appearance, spot 55
  (a bit strange, right? :-))
  anyway, a very subjective ranking, for me with many questionable things but for goodness' sake, de gustibus non disputandum est..

   

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    Martello

    20 aug 20

    I listened to the bride again and reassessed it... better than the Appearance, worse than the other three.
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  New102

  28 aug 20

  As a "logbook," it's not bad, except for a few things that I personally find of questionable quality (Negramaro, ARGH!) (Lo Stato Sociale, PUAH!)

   

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    Martello

    28 aug 20

    So, on the one and only Negramaro I like, I won’t change my mind; it's the only one at medium-high levels... then I only save the first three of theirs and that's it, the rest I find generally awful, especially the latest ones... Lo stato sociale WERE pretty good and that one was also at medium-high levels even though I haven’t listened to it in a while... and anyway, they shaped my adolescence-transition to adulthood and I won’t forget that.
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    Martello

    28 aug 20

    Well, it’s always being updated, so over time they might disappear or remain quite steady.
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  123asterisco

  11 sep 20

  @[Eneathedevil]
  @[Ditta]
  @[Martello]
  What do you think about "Amore e non amore"?
  I really enjoy the alternation of instrumental and non-instrumental tracks, and "Supermarket."

   

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    Martello

    11 sep 20

    Love and not love I like quite a bit. I would say the first album (in every sense) of Lucione. I've always been crazy about Dio mio no and Se la mia pelle vuoi, but love/not love kicked in for Supermarket...who knows what a sexually charged teenager today would think hearing "do you love bananas too"?
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    123asterisco

    11 sep 20

    Let's say it's an atypical album compared to the Battisti stereotype. Perhaps that's why I like it (or rather, I liked it when I still listened to it).
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    Martello

    11 sep 20

    Yes, I would say the most atypical one alongside that masterpiece which is Anima latina. Over time I have reassessed it negatively, favoring other albums like Il mio canto libero or indeed Anima latina. Nonetheless, it remains one of his most outrageous albums.
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    Ditta

    11 sep 20

    To me, the "first" Battisti, up until '72 (except for "Il mio canto libero"), doesn't really say anything to me, aside from a few scattered songs, although I acknowledge their value. Still beautiful, yes.
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  Eneathedevil

  9 oct 20

  Martè, are you going to finally decide to play at least one little track by Branduardi? This indifference of yours towards the long-haired minstrel is starting to annoy me.

   

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    Martello

    9 oct 20

    The sacred is slow. I'm finishing up devouring Guccini and waiting in line is already Daniele and Fossati... not to mention that I'm also listening to Capossela's albums which are 70-minute giants, oh my god, what beautiful music.
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    Eneathedevil

    9 oct 20

    But please: Capossela and Guccini are as tiresome as a house. I wouldn't include a single one of their albums in the top 100 even if I were dead. Daniele doesn't blow me away, and Fossati, okay, might deserve a mention, but only for his early albums. So don’t waste time on these trivialities, just move on to Angelino.
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    Martello

    9 oct 20

    Well, exactly, but I am who I am. And I really like Guccini and Capossela, a lot. Anyway, respect for Angelino, from what I know (very little...) he seems very *brav*.
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    Eneathedevil

    9 oct 20

    Alright, but you won't have peace until I see Branduardi in the charts. And I will take it as a personal offense to see that verbose little poet Guccini higher than beloved Angelino, who, unlike the Modenese, in his career has focused more on making music than reciting litanies.
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    Martello

    9 oct 20

    Only time will tell. However, so far there is only one album by Guccini, so you can't complain too much... I'm the one complaining because I was expecting a bit more (i.e., we still need more rooms and roots!)
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  BortoloCecchi

  13 nov 20

  Congratulations on the courage to make a list (more of a ranking) like this. I could never do it.
  
  I notice many absences compared to my personal Italian tastes, but maybe they are things you know and don’t like, and rightly so, you don’t mention them.

   

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    Martello

    13 nov 20

    Thank you. Anyway, this ranking (which I now call Logbook) is constantly evolving and perhaps certain gaps will be filled in the future. In the meantime, though, there's already quite a lot of stuff.
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    BortoloCecchi

    13 nov 20

    Ignorance in music cannot be filled, paraphrasing Troisi, because I am one who listens and they are millions who write.
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  Falloppio

  17 nov 20

  Good job.
  I would have added 17 by Litfiba.
  Siberia by Diaframma.
  The era of the white boar.
  Dust by Ruggeri.
  Only 1 from Elio, the other one is crap.
  At this point, Santi Numi delle Trombe is better.
  Sick tamburo.
  Cenerentola and the daily bread by Camerini.
  The first one by Decibel.
  
  I’ll stop here.
  Oh, at this point I’ll make my own ranking.
  Ahahahah

   

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    Ditta

    17 nov 20

    Flavio, the first two are already there! Ahahahahaha
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    Martello

    17 nov 20

    17 Kings, there is
    Siberia by Diaframma, there isn't, to put
    The white boar, there is
    Dust, there isn't, I don't know it
    The other one by Elio doesn't suck
    Holy gods, there isn't and there never will be (muahahahah)
    Sick tamburo, there isn't and I don't know who it is
    Cinderella and the daily bread isn't there, but Camerini had the debut on high levels
    The first of Decibel isn't there and I don't know it.
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    Martello

    17 nov 20

    Come on, a little understanding @[Company], it's getting late and it would be impossible for anyone to go through all the positions with a monocle except for the most obsessive.
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    Falloppio

    17 nov 20

    Patriots I wanted to put
    Ahahahah I'm old
    Very old
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    Martello

    17 nov 20

    The sacred symphonies of time Fal, are they closer to you?
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    Martello

    17 nov 20

    *listen, bewildered corrector
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    Falloppio

    17 nov 20

    No, during this time I’m listening to the symphonies of Mark Almond. I don’t know why, but I can’t get enough of it. The entire discography, but The stars we are beats them all.
    Hi hombre
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    Dislocation

    18 nov 20

    @[Falloppio] Our idol Marchino Mandorla has a highly respectable and never boring discography, it's for connoisseurs... Since when do YOU understand music, vulgar tune-slinger from the first belt of Turin?
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    Falloppio

    18 nov 20

    I had The Stars we are. Stunning. Then I tried to investigate his discography. Mother Fist and Her Five Daughters is another magnificent album. Marc & The Mambas is great too. I’ll take my time listening to everything. An interesting character!!!!
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    Dislocation

    18 nov 20

    You see, when you want a little bit of beautiful things, you even listen to them.... Just kidding, I started to listen to him during his early post-SoftCell deliriums and I must say he was a bit more challenging than he seems today... maybe it's because so much water has flowed under the bridges, but certain rough edges from back then (like Marc and the Mambas) now reveal themselves as strokes of genius that aren’t to be laughed at.... a great artist, truly...
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  Caspasian

  18 nov 20

  Sphinx by Enzo Carella... what a record, and Pappalardo too!
  I’m jotting down some ideas to chat about, they may not be your thing:
  Aria by Alan Sorrenti, Energie by Giuni Russo, Cochi and Renato, Ugolino and Mauro Pelosi whatever you want, La finestra dentro by Juri Camisasca, Maria Sole L'illuminata Selvaggia, Ciro Sebastianelli Il buio e..., Ivan Cattaneo Urlo, Patty Pravo Occulte persuasioni, Loredana Bertè Bandabertè, Rettore Kamikaze..., Claudio Rocchi Volo magico1, and of course Battisti.
  Bye!

   

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    Martello

    18 nov 20

    Damn it, I almost forgot.... I need to start listening to progressive again, I have a ton of stuff I’m behind on. The rest could work (since I haven’t listened to half of it except for Aria and E già). Except for E già, it’s not a great album for me.
  • 

    Caspasian

    18 nov 20

    Two more, Luigi Tenco but above all PIERO CIAMPI! 😉
  • 

    Martello

    18 nov 20

    Gigi, let’s not forget! Piero Ciampi is from Livorno, so a Tuscan like me, worth exploring.
• 

  Falloppio

  18 nov 20

  I also saw some happy gypsies by Lolli.
  I have to do it too.

   

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    Martello

    18 nov 20

    To be remedied as soon as possible. Together with Godot, A man in crisis, Songs of anger, and Unemployed streets.
  • 

    Falloppio

    18 nov 20

    I'm taking the Hammer to school!!!
  • 

    Martello

    18 nov 20

    I don't know #maybe they won't suspend her, but I have a feeling that if she brings a Hammer to school, it certainly won't end well. Maybe she’ll even have @[IlConte] as the principal, right?
  • 

    Falloppio

    18 nov 20

    Ahahahah
• 

  Ditta

  18 nov 20

  Anyway, dear @[Martello], know that I won’t give you peace until I see one of the following albums in the charts:
  "Radici," Francesco Guccini
  "Alice non lo sa" and "Bufalo Bill," Francesco De Gregori
  "Lilly" and "Sotto il segno dei pesci," Antonello Venditti
  Omonimo - "Nero a metà" - "Vai mo'" - "Bella 'mbriana," Pino Daniele
  "Un gelato al limon" and Omonimo '84, Paolo Conte
  "Desaparecido" and "Litfiba 3," Litfiba
  
  And then the prog:
  
  "Aria," Alan Sorrenti
  Omonimo and "Darwin," Banco del Mutuo Soccorso
  "Arbeit Macht Frei" - "Caution Radiation Area" - "Crac," Area
  "Storia di un minuto," PFM
  "Uomo di pezza" and "Felona e sorona," Orme
  (At least...)
  
  That's all for now.

   

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    Martello

    18 nov 20

    Only time will tell... I have to feel Radici in its entirety, I need to listen to Buffalo Bill properly (and forget about Titanic, you heathen!), Lilly and the fish absolutely, Pino to delve into, Paolo to delve into, Desaparecido and 3 as well.
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    Ditta

    18 nov 20

    Forgiven
  • 

    Falloppio

    18 nov 20

    half black!!!!! Here we've got the best.
    Roots listened to now is not the thing. Badly aged. In my opinion.
  • 

    Martello

    18 nov 20

    Thanks to that little genius Pier Farri. Metropolis, on the other hand, still seems quite fresh in terms of arrangements.
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    Falloppio

    9 may 21

    Venice is always beautiful
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  MarkRChandar

  19 jan 21

  Others have already mentioned them a lot, but what about Zero? Or the namesake from '84 by Fabio Concato?
  And how about Italian Hip-Hop from the '90s, nothing?

   

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    Martello

    19 jan 21

    they will arrive, they will arrive
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    123asterisco

    26 feb 21

    we want the UOCHI TOKI
• 

  fedezan76

  27 feb 21

  Here is Fabi too low. You're a brute! (Quote from General Amiba).

   

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    Martello

    27 feb 21

    but it's just below Patriots!
    Damn it, people are killing themselves to make an album that can just sit below Patriots.
  • 

    fedezan76

    27 feb 21

    Yes, but it's buried under a myriad of junk, from Pappalardo to Caparezza, to Venditti or Elio e le storie tese...
  • 

    Martello

    27 feb 21

    The unique case in the rankings of Pappalardo, I would listen to it first before saying that it's a worthless piece of junk.
• 

  asterisco

  9 may 21

  Weekly recommendations (in no particular order):
  Boxe dei Diaframma
  Prima di continuare su YouTube
  La Finestra Dentro by J. Camisasca
  
  Il Testamento by A. Appino
  Prima di continuare su YouTube
  Il Tuffatore by F. Giurato
  Prima di continuare su YouTube

   

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    Falloppio

    9 may 21

    sworn!!!
  • 

    Martello

    9 may 21

    I already knew the third one, a nice little thing. The rest... I’ll take care of it sooner or later. I have too many back albums.
• 

  musicanidi

  14 may 21

  Not finding Ciampi and Pelosi anywhere on the page gave me chills...🥶🥶🥶

   

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  • 

    musicanidi

    14 may 21

    I am here thanks to @[Caspasian]
  • 

    Caspasian

    14 may 21

    Always good to reiterate it! 👍
• 

  MarkRChandar

  2 jun 21

  If Rimmel is in tenth place with the description "pure intimacy"
  
  I highly recommend this:
  
  
  For me, a small masterpiece.

   

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