"master" for the boisterous ricottari, for the ignorant and hardened consumer populace. An embarrassingly musically null artist, endowed with a very annoying voice, whiny, lamenting, and croaky. A bunch of works passed off as art when it comes to nostalgic little songs belted out by this pseudo-intellectual of the drawing room. At first, it seemed somewhat interesting but it was a mix between a witch and a Jewish tram. more
Of incredible antipathy, it is often said that he is paranoid. Between him and Gilmour, it's unclear who is worse... I feel sorry for Barrett, Mason, and Wright, always forgotten because of two egocentric, one-note, and banal figures (in fact, the PF appeal to the masses). more
The best hard rock vocalist of the '70s. A unique, unmistakable, and original voice. No possibility of imitations!! more
Oh, but this one in the photo here on the debasio has a White Falcon! I mean, let’s get this clear, a Gretsch White Falcon! I don’t know if I’m making myself understood, a fucking Gretsch G6136T White Falcon! You must be dying of fulminant gonorrhea! more
Wow, how can you question the validity of this album? It’s really great; the keyboards recreate heavenly and joyful atmospheres, there’s not a single note out of place, and as usual, Gilmour showcases his talent in crafting outstanding guitar parts. Many might say it’s not Floyd but rather Gilmour solo, but hasn’t it always been like that in the other albums? Gilmour has always been the master; Wish You Were Here is an example, the exception being The Wall. more
The fact that Pino Scotto was a special guest at the 5 Star Movement rally at the Circo Massimo speaks for itself. more
I was fortunate to have heard this ARTIST from the beginning as we are nearly the same age. Today, I can only thank him and his fellow Artists for being a fundamental part of the soundtrack of my life alongside Prog... With these artists, it's difficult and unfair to create rankings. For me, Hackett, Page, and Howe are on the same level... more
An absurd band. Starting from a glam rock influenced by Bowie, they wrote two huge singles like Bela Lugosi's Dead and Dark Entries, passing down to posterity an album that is worth a whole career, In the Flat Field. Their subsequent album, Mask, is also a great record.
Peter Murphy overwhelms the crowds at concerts with his spectral pallor and thinness while Daniel Ash proves to be a badass guitarist. Special mention goes to David J and his typically dub bass lines. more
This group is LEZZO! more
Musically sufficient, physically and in beauty... a lot of stuff!!! more
A (superb) masterpiece of Italian Rock, with a unique peculiarity. The four movements of the Concerto grosso are simply sublime, flawless in their homogeneity and fabulous inspiration, while the 20-minute improvisation is absolutely monstrous. Classical meets King Crimson and Jethro Tull. "To die, to sleep, maybe to dream." 9.5. more
Fuck you all! more
Great Southern rock band formed in Tampa, Florida in the early '70s. Sharp guitars, excellent sound ranging from blues to country to rock, pure Southern U.S. music... more
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Death, Obituary, Testament, Cancer, Disincarnate, Konkhra, are some of the bands where the violent and virtuous sound of his guitar can be found. A reclusive artist, always in the background but essential for Heavy Metal in the last few decades...SPIRITUAL HEALING... more
A few months separate the debut "Scum" from Napalm Death's second album; the iconoclastic fury is presented in the same identical way, but with better production. And it is the album that marks the entry of bassist Shane Embury into the group, who will become an indispensable member over time. It starts with the long, three minutes are an eternity for them, and slowed down "Evolved As One"; then follows apocalyptic violence, with songs that are devastating Grindcore boulders...PRIVATE DEATH more
Night and Day is the most representative, but the first two made me "fly"... more
The American "country," a superstar in the genre that improves over the decades, much like fine whiskey in old barrels... more
California band from Berkeley, with a brief but captivating career, known for at least one excellent album, the self-titled "Mad River" from 1968. It features a strong acid-folk vein and guitar intertwining in the best Quicksilver tradition. Long tracks, bright psychedelic colors, one of the finest examples of psych music from that era... more
SEX, DRUGS AND GUNS! more