"Don't cry
Don't raise your eye
It's only teenage wasteland" Baba O'Riley more
November 1986: the first work by Sepultura on long distance is released. A production and recording quality that is dismal ruin an already crude and rough album; and it's a shame because the four very young guys, Igor has just turned 16 and the others are just a bit older, propose a Thrash-Death played without any technique, at a speed that is simply insane. The beginning of a climb toward the peaks of Heavy Music… CRUCIFIXION… more
Steven John Wilson, recently turned 47; in his thirty-year musical career, engaged in an endless number of projects, he has released around forty albums!! And I would like to emphasize his always calm, reserved demeanor: he speaks with his wonderful Music...COMA DIVINE... more
Mystical and powerful monolith of heavy-doom metal. Completes the quadrilogy of the "fantastic four." From here on, they will never be the same again (a bit like what happened to Manowar or Metallica, to be clear). more
Inferior to the debut, superior to Nightfall. Dark, fascinating, and arcane... more
Depression. Listening not recommended if you're hosting a party at home: it would be a bloodbath. Cut veins, slit throats, drownings with heads submerged in the sink... more
Don't like prog? Well, this band might make you change your mind... more
The turning point album for Aretha, simply one of the greatest Soul-R&B records ever conceived. Her renditions of Redding's "Respect" and Cooke's "Change Is Gonna Come" are sublime, the latter so beautiful and intense that it sends chills with every listen; then there's the rest of the album, with Franklin co-writing as many as 4 songs. A masterpiece. more
Unfortunately, I can only give 5 stars, sorry Roger... more
The time for the Beatles' most bizarre and "daring" moments hasn't arrived yet, but Revolver contains some of their best songs: Taxman, Eleanor Rigby, I'm Only Sleeping, Good Day Sunshine, For No One. more
The pages of resistance are honored in this sublime folk-prog, a cornerstone of rock in opposition. Great emotions, especially in Stalingrado and Dante by Nanni. more
Do I also have to describe it? It’s a spectacular album; the first time I listened to it, I was completely enchanted by its amazing sounds and wonderful rhythms. It’s an absolute must! more
A challenging task awaits the band: to deliver a worthy follow-up to the impetuous and violent albums "Arise" and "Beneath The Remains". From my perspective, the result is the Brazilian group's third masterpiece; we are still in the realm of imposing Thrash Metal, with the added element of a greater sonic exploration. Tracks that are more measured, with a slowed-down pace, yet without losing the auditory ferocity that Max's voice amplifies...WAR FOR TERRITORY... more
Only one album released in 1983 by this band, which could rely on the partnership of Robert Smith and Steven Severin. Dark Wave, Gothic Rock, with a rich sprinkle of Electronics... PUNISH ME WITH KISSES... more
The year is 1977: we are in the midst of a revolution when it comes to Music: Punk has exploded everywhere. The Pink Floyd themselves are in turmoil: Roger's desire to take control of lyrics and music begins to manifest. Animals thus represents the band's last cohesive album, with David's guitar being incisive and spectacular in the endless tracks that compose a work of not simple assimilation, claustrophobic, obsessive...DOGS... more
Huge, I just don't understand the stubbornness about Damaged. The BF also encompass the anger and pain of My War, the jabs of Loose Nut, the avant-gardes of Family Man and The Process Of Wedding Out: in my opinion, they have represented one of the best evolutions in the rock field, often changing style but never at the expense of quality. more
I have seen tree spirits, ridden unicorns, faced dragons, crossed plains and forests, wielded shining blades... it was the beginning of a legend...
Power Speed Fantasy Metal! (Let no one use the word Epic though, eh... in that case I might get angry and lay down the emerald sword to behead you with a double-headed axe!) more
For many, a masterpiece; I'm not crazy about it. The NWOBHM style proposed is very reminiscent of Judas Priest, which distances itself from the atmospheres of the debut, later returning with The Number of the Beast (adopting a heavier style). A nice experiment that I've always somewhat discredited (not because it's bad, but for sounding "vaguely Maiden"). more
Twilight. Darkness descends to subjugate the lost listener, the same one who calls for the voice of the prophet, to be guided through the grim lands of this dark dimension...
Inferior to the debut, but still a masterpiece. This is the album that marks the entrance of the Messiah (Marcolin) on vocals: it doesn't get more epic-domm than this! more
The quintessential manifesto of doom metal and also one of the most beautiful albums of all time.
Epic, Metallic, Destiny... more