Besides being the most underrated album of Zucchero's discography, it turns out to be the most intimate and at the same time varied. It manages to detach itself from the usual theme of love, and the guitars play an important role in almost all the compositions. "Miserere," a very important song, almost imposing in its presentation, is followed by "La Promessa," "Povero Cristo," and "I Frati." The rest is truly enjoyable, from the more vulgar compositions all the way to "Anna Solatia."
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