Great guitarist, I also like the voice; it’s not a childish little voice, just gritty enough for his bluesy rock. I've listened to about sixty of his songs and I must say they are all of good quality. Naturally, this is my personal judgment and for this, I give him a five out of five. more
Population control, eugenics, vaccines. A real monster! more
Perhaps it’s impossible for anyone... but if he had always harnessed his true compositional potential, today we would be talking about number 1. Or thereabouts. Instead, on average, he is one of the greats, and his genius is truly visible only to those who know at least reasonably well his discography. For casual listeners, he might even seem like just any other artist. more
A beautiful example of sunny and imaginative psychedelia, but penalized by a terrible orchestral accompaniment that seems taken from a Crosby record (Bing, not David). more
Red has grandly closed a chapter in the band's history: the clocks mark distortion and the sky is always dark, but Starless remains an extraordinary farewell with its brilliant crescendo built on a single repeated guitar note and those anarchoid incursions of Bruford's metallic percussion. When the tension then resolves in McDonald's fierce sax solo and the final recapitulation, it's pure delight. more
Successful Concept that also has the rare virtue of compactness. There's no need to ramble on about the technical level but especially about the musical culture of the group, with references ranging from medieval polyphony to jazz, and an almost obsessive attention to detail. In short, you can't go wrong with GG. more
One of a Kind by Steve Hillage's group. Deadly Hammond-Guitar riffs (a bit like Atomic Rooster) in sometimes grandiloquent tracks. However, the instrumental skill, especially of Stewart and Hillage, is undeniable. more
Well, the album, after those with Eno, is the finest of the Roxy (and not just because of the cover). It highlights the romantic piano playing of the very young Jobson, a perfect stage for Ferry's perverse chansonnier version, even if his sonorous French in A Song for Europe risks a bit of the Inspector Clouseau effect. Great solo by Manzanera in the remarkable Amazona. more
Say my name more
A film ahead of its time, both technically and thematically. The echoes of the French Nouvelle Vague are reinterpreted by Penn to tell the epic tale of rebellious and violent new American generations. Before "Easy Rider," New Hollywood is already here. Although it bears the weight of 50 years, it remains a memorable and iconic film. (9) more
Go to work, red of shit, what a fucking voice then damn it. more
Another lookalike of Nino Ferrer? But the song is beautiful... three for encouragement. more
A stunning debut, a refined and never banal masterpiece, it practically divides between perfect pop songs when it goes well, and beautiful pop songs when it goes poorly. One of my favorite pop albums, how much I love it. "The Saxophone Song," "The Man With the Child in His Eyes," "Wuthering Heights," and the title track are the masterpieces within the masterpiece. more
Take that plug out of your ass and start doing your TRUE job:
The laundress! more
I will spend just one word to define her: outstanding. more
He crapped out a musical abomination titled "Est-ce que tu m'aimes?" that has been annoying the hell out of me on the radio for weeks. I’m just saying that compared to the crap from this kind of eunuch, gang gang style, or whatever it's called, that Korean dickhead's song seems like Beethoven's Moonlight Sonata. more
But fuck off more
Exactly.....better to withdraw early.....like the Beatles!!!! more
For goodness' sake, she has the voice, but she’s been singing the same damn song for over 20 years. more
"I don't recommend the use of drugs, alcohol, violence, or madness to others, but it has always worked for me." more