Great album, perhaps his best solo work, which also marks his return to the scene after spending a few years locked away at home, with alcohol and heroin as his companions in life. The style and musical visions are quite different from the previous Clapton; here, Slowhand slightly strays from the canonical rock-blues to embark on a different sound, very similar to JJ Cale's Tulsa blues, with influences of Cajun, reggae, and Caribbean music. An excellent piece of work, without a doubt... more
A monicker a guarantee. more
I have always loved bands with shopping carts on the cover. more
It's reductive to define it as just music. Art in its purest form. more
There are more ideas in a piece by these "scardinatimpani" from Ohio (also known as O-Aiò) than in entire and vast discographies of whole sectors of the (so-called, sadly) Post-Metal. What a ridiculous thing. more
The voice most out of tune in Jazz. more
Undoubtedly a classy singer, but at times quite repetitive and boring. more
An immense talent. Beautiful albums, especially "La pianta del the" and "Lindbergh - Lettere da sopra la pioggia". Moreover, he had the dignity to step back when he felt he had nothing left to say. A rarity among the chosen few. more
Flower kiosk, flower kiosk, eeedicolafflower; gnie gnie gnie Fonicpower!
TWO more
Autumn sounds, amidst delicate intimate colors and sudden glimpses of a music that is never still. more
Piano keys bathed in poignant poetry. more
The Maelstrom that sucks in the deepest pain. more
Music frees itself from everything to rise in a sublime organized chaos. more
The music melts into spirituality with a heart in the throat, the sound generated is the voice of God. more
Jazz evolves and expands the family to Bebop. more
The definitive fresco that succeeds in unifying and blending together all the cultures of the world. more
A work that pushes the boundaries of music...in the sky. more
A desperate, anguishing, and wonderful dive into sound introspection. more
Soft Angels or Angels Soft?
When I meet Giovanni Emanuele III (commonly known as Trey Azaghtot) I ask him.
I ask him. more
Between 1988-91, they were the savages by definition, they were noise, filth, tribalism, heaviness, psychedelia, in other words, perfection. Piece of Cake is nice, then oscillating between good and boring, in the long run, it's a bit always the same tune. Live, they're sublime, they stop time and destroy eardrums. more