Entrance
Aka Guy Blakeslee. Dangerously close to the best Andrea Uccello (commonly known as Andrew Bird). Especially in "Book Of Changes." more
Jim Wynorski -Sins of desire
Atomic-Spatial Nonsense, to watch while choking on Homer Simpson-style donuts and washing them down with a burp of Chinotto. Only view the film if you want to inflict violence on yourself... more
Galactic
They know how to play!!! more
AC/DC
Let’s anticipate the useless chatter with two points: 1) anyone who responds that I’m repetitive and/or always saying the same things will be someone who has listened to all their albums, even if they were driving them crazy just to be able to say this consistently (hats off to consistency and insanity!). 2) For me, AC/DC is two bands, with and without Bon Scott. I will evaluate the first one I adored, with a driving sound, the guitars smashing, and a perfect, impeccable train in the rhythm section, soaked in blues (yes, blues!). Scott's audacity did the rest. Fabulous albums, all different (really?!). Then came the incident, the stunning Back in Black (perhaps dedicated to him for this masterpiece) and then, yes, the real decline... but up until recently, they were still kicking ass live! The box set with "allScott" plus BiB is highly recommended! more
Meghan Trainor
Well, I tolerate everything but this crap no. Meghan Trainor - All About That Bass is like the most annoying song in the history of music.
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Jovanotti -Lorenzo 1999: Capo Horn
a "middle" album with Lorenzo 2002 (the fifth world or something like that...), inferior to "l'albero", superior to the next one. For another great work, we have to wait until 2005. more
Chicago -Chicago II
I adore them, from the first album to the last, even the boring little things included. II is the best for me, a demonstration of musical collectivity, a mix of genres sublimely blended. more
Led Zeppelin -Houses of the Holy
The airship on the summit of Everest more
The Cranberries -To the Faithful Departed
The beginning of the end. Wanting is not always being able. more
Chris Cornell
Say Hello 2 Heaven. Among the most beautiful voices of all time, without a doubt. more
Soundgarden -Louder Than Love
After the unparalleled "Badmotorfinger," this is my favorite work by Soundgarden; in the blessed year of 1989, they leave SST (a customary moment of silence in honor of the label) and settle at A&M for the heaviest album of their monumental first part of their career. The only downside is a mixing that certainly won’t go down in history; there are explosive sonic bombs like the initial "Ugly Truth" and "Hands All Over." The rest follows closely, with the pairing of Yamamoto and Cameron (bass and drums) providing a bastard and incisive rhythmic foundation that slices you in two. For the final demolition, voice—oh that voice...—and six strings take care of it; but how cool was Chris on the cover, God Bon!?!...LOUD LOVE... more
Bob Dylan
Poetry; then she sang and played it. Listenable only thanks to those who covered some of her songs. more
Weather Report -Mysterious Traveller
The apotheosis of fusion! more
Kendrick Lamar
An artist with a big attitude. The best that American hip hop has brought us in recent years. more
Jade Warrior
In the shadow of Mount Fuji, between progressive rarities and glimpses of a primordial environment. more
Alter Bridge
Grandissima Band, the track Blackbird is one of the most beautiful ever! Myles gives you chills, one of the best voices in history.
In short, they rock!! more
Soundgarden -Louder Than Love
From today, I will listen to you with a hint of sadness... more
unicostampo
Roman band with a rock sound formed by Fabio Massimo Colasanti and Danilo Cioni. more
Soundgarden -Superunknown
"The chosen title was Superunknown, odd yet fitting. That term perfectly described Soundgarden at every moment of their existence. People knew who they were, but they remained a mystery nonetheless. They were 'that metal band,' 'that Seattle group,' 'those who copy Led Zeppelin.' They managed to sell half a million copies and play in stadiums without people having any idea of who they were. For as much as they could occasionally be recognized, they remained figures in the shadows. Raw wrote about the album: 'A free-fall work, more immediate and accessible than its predecessors; the kind of thing churned out quickly yet lasts for decades... Super powerful in execution, Chris's voice is the dominant aspect, Kim Thayil's guitar hints at the birth of a very personal musician.'" more