Enslaved
Epic, tradition, strength, the North. more
Deep Purple -In Rock
The hard rock epic begins here. From In Rock to Made in Japan, the band's golden era. more
Magma -Magma (Kobaia)
An unpredictable and undefinable record. To be listened to billions of times to fully understand it. more
Radiohead
Who knows how many people started their journey into the craziest, alternative, quirky, and experimental music precisely with them... They deserve respect just for that.

Loving them, at least a little, is almost obligatory if one wants to be considered a true music lover! more
Genesis -...Calling All Stations...
One of the most beautiful products of the late '90s.
Ignored and misappropriated by everyone, in a way that's incomprehensible, considering that at that time pop offered Madonna, REM, the Peppers, Guns N' Roses—honest craftsmen but nothing more. This last work offers excellent tracks and insights, and even dramatic falls in style like in "Congo."
But the lyricism and melodies make it clear that Genesis are still Genesis.
Ray Wilson's voice is also excellent, and then he disappeared from the scene!
An album to listen to from time to time while driving, certainly not one to close your eyes and dream to, even though "Not About Us" makes you dream and even move just a little. more
The Clash -Cut the Crap
I had the unfortunate idea of buying the vinyl back then. What an awful mess... more
Cesare Cremonini -Bagus
Well come on, he has listened to some Brit-pop, and since he's not exactly lacking, he has crafted something good! more
The Nitty Gritty Dirt Band & Kris Kristofferson -Will The Circle Be Unbroken
even if I'm not much of a fan of the genre, country and American folk in a monumental triple.
There's everything old and new in the genre with the participation of the best artists. more
Black Sabbath
The first five albums are UNESCO heritage. more
Frank Zappa
A person so intelligent that they can fool everyone, managing to pass off nonsensical things as high-level music and even profit from it. In short... a genius. more
The Alan Parsons Project -Gaudi
elegantly arranged disco from tradition APP. more
Queen -Live Magic
live useless more
Lo squalo -Peter Benchley
This beautiful novel was adapted into the eponymous film, directed by Steven Spielberg in 1975 and featuring Roy Scheider, Robert Shaw, Richard Dreyfuss, etc... It was the film that marked the success of the director, who had mostly directed high-quality television films like Duel and some episodes of "Columbo." The film differs in that it lacks the romantic subplot with the biologist Hooper, as well as the fact that Hooper survives, along with the police officer, the hunting mission. Three sequels have been made from "Jaws," and nothing... oh no, I can't say whether I liked the book or the film more. more
Buffy Sainte-Marie -Fire & Fleet & Candlelight
Yes, "Illuminations" is cooler, but I don’t see a reason to rate this album too low. For me, it’s another of her masterpieces. Diverse, original, marked by the extraordinary style of Sainte-Marie, who in 1967 hits you with some truly "bomb" tracks with that voice full of vibrato that’s just mind-blowing, capable of evoking inexplicable emotions. She deserves credit for being one of the first to interpret the songs of a young author who would debut in the studio the following year, one Roberta Joan Anderson, known to friends as "Joni." Buffy is at the highest level both as a singer-songwriter and as an interpreter. I lament the lack of a duet between her and Roger Chapman... With all that vibrato and the stereo turned up, the walls of the house would have collapsed. more
Burzum -Filosofem
Listening to Filosofem, you realize you are listening to a brush cutter. more
Jim Capaldi -Oh How We Danced
I might be wrong, but for me, an album like this does not stray far from the most beautiful things Capaldi has done with the Traffic band on the GRA. In fact, it comes across as fresher, inspired, and more passionate than the recent, albeit valid, works by Traffic released in those same years. Accompanied by an excellent backing band and supported by all his companions in Traffic, scattered here and there throughout the various tracks, Jim proves once again to be more inspired than ever. All the songs are gems, but three in particular are fabulous: "Don't Be a Hero" (which reminds me of feelings akin to "Epitaph," featuring the beautiful guitar solo by Dave Mason and a chilling performance by Jim), "How Much Can a Man Really Take" (with Wood's flair on the flute and the golden years' Kossoff shining through in the finale), and his personal, immense, pulsating, and moving interpretation of "Oh How We Danced," the album's only cover. more
AC/DC -BACK IN BLACK
The farewell to Scott and the vocal change with Johnson do not alter the group's course. more
Enrico Ruggeri -Peter Pan
return to rock, pleasant and successful album more