Masterpiece! more
I'm struggling to digest it, but that's my problem! more
After a booming debut, a disappointing album in my opinion. They'll bounce back. more
Partly live with orchestra... pretentious, ambitious! Emerson is leaving! more
More glam and electronic to close the century. Remarkable work! more
live unplugged debut of Kaukonen and Cassidy, the traditionalist counterpoint to the Jeffersons.
A must-have album! more
great forgotten album, which besides the stunning Black Betty deserves more than just a listen more
Parentheses and a near conclusion of the activity in silence, little to remember. more
great album exalted by prestigious covers, in the golden, unrepeatable biennium! more
beautiful voice, somewhat wasted, partly due to the choice of repertoire. more
complete and exhaustive collection of 20 years of amazing career! more
absolutely honest record, a journey to conquer America in a weave of classic rock threads, folk r&b... from Elvis to U2, covers, and live! more
Funny, fresh, and spontaneous like few others. They might not be Top Players in terms of technical skill, but who cares, "Pour some sugar on me," "Photograph," "Rock of ages," and "Hysteria" are absolute gems. Overrated like hell. more
good debut album from a really interesting band. the best is yet to come! more
Stefano Rosso has always seemed to me like a close relative of Rino Gaetano. Sharp, biting irony and, above all, intelligent. Moreover, he was also a master of fingerstyle guitar. Time to reassess. more
"Capo d'Africa," undoubtedly one of the finest opening tracks in Italian songwriting. more
Esteemed summary of a career consistently maintained at high levels of quality. more
This album stands on three things: H.R. Giger's artwork, Lake's stunning song "Still...You Turn Me On," which is just fucking beautiful—why don’t they let him do everything? And finally, "Karn Evil 9," which is the ultimate Carnival of excess from the trio, particularly Emerson. And if there must be excess, let it be a grand, theatrical, engaging, and infinite spectacle ("To the Show That..." eh, not just for show). The Lake/Sinfield duo resurfaces for the lyrics, and I get emotional just reading the credits. Oh, I love it. Even more live. Then, well, "Jerusalem," thanks to Lake's voice, has never bothered me. "Toccata," on the other hand, is when they want to show off with someone else's stuff and end up being comical. From minute 5 to minute 6, guys, go listen to it—it’s Super Mario, killing mushrooms and jumping to grab stars, I swear. AVANT-GARDE. more
This gentleman has influenced half of the music world, and this is a revolutionary record, a blast of cold water after a Turkish bath. more