I recently listened to three or four of his most acclaimed works, and I must say I was amazed. I only knew him from the two singles "Steppin' Out" and "Breaking Us in Two" from the monumental "Night and Day," which I quite liked, but I had never delved deeper. I believe he deserves a place in the Olympus or on the outskirts of Olympus... outstanding technique, compositional class, and flashes of punk-new-wave-jazz-latino genius. Highly underrated. more
ignored on the DeBa, a record for all seasons, perfect for long journeys across the prairie!! more
Why, why, why are you doing it, my desperate girl, why are you doing it, I get a moment of arrhythmia. more
He could have been a great revolutionary singer-songwriter in the 90s. Today, he’s just painfully sad. more
Old at thirty. Irksome voice, perhaps worse than the Amoroso. And she's also unpleasant. more
To tell the truth? There’s worse. Chris Martin remains a good singer, while the others are decent performers. The lyrics are quite indecent, and the music certainly doesn’t shine for eclecticism and quality. more
A good folk singer-songwriter, a modest multi-instrumentalist. His lyrics aren't known for their refinement (except for those in Branduardi canta Yeats), but his music and voice have something to say. It would be a 4, but the haircut and priestly robes keep him at a 3. more
A super cool bassline at the beginning of Buzz Factory. I don't remember anything else. more
an album that forces anyone who plays hard rock to confront it. Perhaps never again would a Led Zeppelin album achieve such overall perfection. more
maybe along with the Black Album, the only one I can stand enough, but they don't "finish" me. more
After a few almost annoying digressions, I think this is a well-made album. more
A refined poet, an excellent interpreter. Even now, he should probably just write, since since '92 he hasn't written a song that I liked even by mistake. more
In 2010, they should have stopped. Danilo did well (but the unreleased tracks from 1992 onwards leave me indifferent), Turato is truly unbearable. Augusto is still Augusto, the others are mid-level musicians, Carletti looks like Ronnie Wood. more
I hope they won't say anything to me if I only know "Take on Me," which I always listen to and give a 4. more
I will try to be objective, even though his renzifilia makes it difficult for me. I have all his songs in mind and I don’t like half of them. Do you remember when Grillo called him a “scoreggina”…? At that moment, at 9 years old, when everyone adored and worshiped him, I gave a 92-minute applause. more
I've never been able to stand him and his voice; I acknowledge his unique vocal quality, but he has a dullness that feels like an indictment. All his songs are the same! more
Terrifying, perhaps worse than the people who try to imitate their falsettos. more
I don’t mean to offend the Vanni Maceria, but I wouldn’t want to hear it even on the provincial Tuscan radio stations (those who follow Aldo Giovanni e Giacomo will understand). more
Filiberto should be eliminated, Pupo should be tortured, and Canonici knows why he has ended up like this, along with his record label. more
A silly little guy or the Eminem of the very poor? I would lean towards the first option. Some songs are worth it, though... more