Pupo, Emanuele Filiberto, Luca Canonici
Filiberto should be eliminated, Pupo should be tortured, and Canonici knows why he has ended up like this, along with his record label. more
J-Ax
A silly little guy or the Eminem of the very poor? I would lean towards the first option. Some songs are worth it, though... more
Claudio Baglioni -Sabato pomeriggio
Yes, it's the one from "passerotto non andare via," but also that of posters, music boxes, Lake Misurina, Sisto V, etc., etc.
An important album in Baglioni's discography and in Italian pop music. more
Bee Gees -Massachusset
Bee Gees or Beatles? more
Rory Gallagher -Deuce
One day God invented the guitar, gave it to Rory Gallagher, and said: "Go teach it to the world"! more
Finley
Not as pretentious as other groups of this caliber, and they also seem like nice guys with their heads on straight. more
bee gees -children of the world
the preview of the pop dance masterpieces to come more
The Rolling Stones
A wonderful poker of rock 'n' roll from the seventies and eighties. Right now, they're monstrous dinosaurs disguised as rockstars. But they are and will always be the legendary Stones, the ones from "Time is on my side" and "Tell me." Unforgettable from 1963 to 1985, then no longer that interesting. more
Enrico Ruggeri
Great singer-songwriter. A voice that is uniquely his. And a compositional ability that is stunning. "Mistero," "Contessa," "Il Mare d'inverno," "Polvere"... immortal. more
Francesco Guccini
A poet whose lyrical composition has nothing to envy Faber, yet I find the sounds and instrumental abilities inferior to many Italian singer-songwriters, first among them Fossati and De Andrè. more
Mina -Catene
another double LP that wasn't needed.
few noteworthy things amid ridiculous nonsense. more
U2
Some songs are still decent, no doubt about it. Beyond these niches, there are four terrifying kiss-assers, made of plaster and dressed like they’re in their twenties, with the faces of frightening cocaine addicts. more
Roger Waters
Thank you for making my sad adolescence something memorable; with or without the Pink Floyd, I will always hold you in high regard. more
Francesco Motta
Motta is a singer, multi-instrumentalist, and songwriter. He began his artistic career in 2006, at just twenty years old, with the Criminal Jokers, a band from Pisa with which he released two albums, "This was supposed to be the future" (2009) and "Bestie" (2012). During this time, he also gained other significant musical experiences: he put his versatility to good use by collaborating with Nada (playing bass, keyboards, guitar, and backing vocals), Pan del Diavolo (drums), The Zen Circus (sound technician for the "Andate tutti affanculo" tour), and Giovanni Truppi (guitar and keyboards). In 2013, he studied Film Composition at the Centro Sperimentale di Cinematografia in Rome under the artistic direction of Ludovic Bource (Oscar winner in 2012 for the score of The Artist). more
A Place to Bury Strangers -Exploding Head
While waiting for a new Rock revolution, I'm more than happy to settle for small updates or evolutions. A reference-laden album to the core: MBV, J&MC, Sonic Youth, Joy Division, The Cure, NIN, Stooges, Big Black, Cramps, and Gun Club—some in massive doses, others in hit-and-run fashion, but all recognizable. When the outcome is such, long live the Revival. A round of applause for the production. more
Queens of the Stone Age
Very nice some songs here and there, but the rest always left me feeling empty. A kind of Foo Fighters a bit buried just to remind us that before, Josh was kicking ass in Kyuss. more
Airbourne
The little I know is powerful and it amuses me, so I'll give it a 3 stretched-out, on trust; in Airbourne, the classic (sleep-inducing) pauses between one chord and another of the ACDC riffs are much less present, consequently, I prefer the students to the masters. more