One Two Three Four Five Five Six more
The shit that comes out of dogs' asses that pleases the pretentious nerds locked away in their filthy little rooms. more
well, yes, they really sounded like that! more
They were my first love in the rock scene; I've played them so much that I can no longer listen to them. "Nevermind" made history during that time, but fundamentally it's an overrated album; "In Utero" is better. more
For now, the album of the year alongside Wide Awake and Joy as an act of resistance. more
In my opinion, the instrumentalist is not irresistible, but I would never take away a full score of 5 for that: his writings are an essential cherry on top of an already finely crafted cake. Cutting, provocative, and alternative, but also rich, intense with emotion, and characterized by a vision of society and the world shared by a few other lyricists. Fuck paranoia (which I only read in glimpses, but that might be a personal issue). more
A bit lower than the previous ones and the immediate successors
Embarrassing cover! more
I wouldn't know what grade to give it; it was certainly a major player, but I have the feeling it wasn't intentional. 5 come on, it's still Adriano! more
There’s a car that needs to be moved.
Registered, and that’s it. more
The live was a bit stretched out, despite a host of talented musicians and an interesting setlist. more
Ground control to Major Tom more
too much Marillion, not enough novelty! more
the swan song of a group that exhausted itself in 3 discrete albums. more
the beautiful summary of an honest and poetic singer-songwriter! more
Useful primarily for keeping the stage full during the Feste dell'Unità when the true great singer-songwriters who fill these kinds of venues have other commitments. Pseudo-rebellious lyrics that lean more towards radical chic sycophancy than communism, music that calling it folk is an insult and a punch in the teeth to those who genuinely cultivate the art of folk. more
With Albano and Toto Cutugno, he completes the holy trinity of "pezz'e core". However, he was a good man, so much so that he even embraced the "Senatur."
Paadaniaa Paadaniiiaaaaa more
But what rock, if I'm more pop than Tiziano Ferro. Hemorrhoidal!!! more
First, a fundamental piece of an extraordinary sequence of five consecutive masterpieces, an album that significantly contributed to adding new elements to the "Blues-Rock" sounds of the time, which with these four becomes even harder, slower, darker, and heavier. There are also themes on esotericism, of course, but the lyrics also span various "fantasy" territories (like "The Wizard" or "Behind The Wall of Sleep," which is inspired by Lovecraft). The two most representative tracks (the title track and "N.I.B.") would be enough for its masterpiece status, and paradoxically, even without these two songs, the album would remain one of the best "Heavy Blues" (let's call it that, I guess) records of the era. The cherry on top is the excellent work of the band on the two covers of the album, especially "The Warning." more
In my opinion, the best album from Dokken's golden era. A total of 13 tracks that never get tiring, but rather amaze more and more with each listen. Just a hair below Under Lock And Key, released two years earlier, what makes it the most complete album is the perfect production, a phenomenal guitar performance by Lynch, and timeless songs like Kiss Of Death, Dream Warriors, Heaven Sent, So Many Tears, or even Mr. Scary. 10/10. more