[1968] more
[1984] more
[1979] more
[1977] more
[1977] more
[1975]
Little jazzpop-undefinable candies from the Nippojappo Seventies more
[1966]
Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966.
That is, the rawest and noisiest version of the raw and noisy underground velvet. more
[1971]
In the scent of Canterbury: mad whirls, fanfares, cerebral-gezzrock fetuses. more
[1970]
In the scent of Canterbury, that is: when jazz_rock in England became crooked, naïve, with little. more
[2008] more
[1997] more
[1994]
Bristol_sound a.k.a. how to draw muffled nocturnes, suspended atmospheres, retro charms, ink soundscapes. more
[1973]
A Charybdis of feelings.
The lapping of the soul. more