Fabri Fibra
1 goes to those who buy his CDs. Trash. Does he have a lot to say? (meh...) he should write a book, at least then he wouldn't ruin my days by being on the radio. I would recommend he find a couple of musician friends, because making MUSIC helps a lot. Because those Nintendo-like electronic beats are ridiculous. TERRIBLE. more
Biagio Antonacci
I'm forced to give him a generous 2 because a 1 seems excessive. Let it be clear, he sucks, he has no voice, he sold his ass to the muzicbiz, but a 1 is for Meneguzzi! He can pull out a decent melody every now and then! more
883
In life you evolve, you grow, you change your tastes. For me, though, Max has ALWAYS grossed me out. Very consistent of him, very consistent of me. Music is something else. more
Gianluca Grignani
In free fall... more
Valerio Scanu
His sponsor (producer of balms or cashmere) must be powerful. The saddest thing, however, is how seriously the young man takes himself. Ah right, he knows how to sing. more
Mike Muir
Still Cyco after all these years! more
Albano Carrisi
Someone explain to alia76 the difference between a note and a voice message. more
Albano Carrisi
the only one who managed to make a thousand million records singing a single note (quAAAAAAndo il sole...; e vAAAAAA is my life if it vAAAAA...; happinessAAAAAAA). a great more
Albano Carrisi
Praised and at times idolized for a voice that makes me burst into laughter. Heartfelt as much as you want, genuine as much as you want, with a powerful throat as much as you want, but we’re at the level of a village festival singer or maybe just a bit more. more
Zucchero
A voice of the madonna, which too often, especially lately, is used to sing nonsense. Certainly not the last fool, though. Sometimes the second to last, especially when "Striscia" steps on his toes, for example (ridiculous). He knows the difference between soul, blues, and easy pop very well and has proven it, but he can also forget it quite well when the mortgage on the farmhouse looms. more
Zucchero
"I come from the streets, everyone knows that. Among friends, we use swear words practically with affection: 'Come here, you little shit,' 'What are you doing, you whore.' So, it comes naturally to me to elevate the tone and rhythm a bit at concerts, 'get your asses up and come dance.' It's my style, like it or not. My fans like it. It would be much easier to do the regular show 'good evening ladies and gentlemen, thank you for the applause, see you next summer'" (la Repubblica, August 15, 2007). This is blues! more
Vasco Rossi
Highly overrated, in my opinion, is like Valentino Rossi in Italy; everyone says he’s the best and everyone goes "Valentinooooo," but they don’t even know why they cheer for him. The same thing goes for Vasco Rossi—people ignorant enough to think they’re "Rock" just because they listen to Vasco Rossi and say "I like Vascoooo." This is Italy, as Pino Scotto says. more
Percy Jones
My personal idol. The best bassist of all time among humans (excluding Jaco). A god. more
Jean-Luc Ponty
Violin in power! more
AC/DC
What the dog... amazing! I'm not the worst of the worst, for heaven's sake, but they make me pretty sick. more
Sergio Leone
Perhaps one of the best Italian directors of all time, his westerns are the only films I truly (very much) appreciate in the genre, and Once Upon a Time in America (featuring an extraordinary Bob De Niro) is a beautiful film. more
Stanley Kubrick
Shining, Full m.jacket, A Clockwork Orange, 2001 and a couple of other films like Dr. Strangelove and Paths of Glory, uhm... I must say, good job Stanley. more
Steven Spielberg
Cunningly brilliant. While being an extremely commercial director, he has undeniably created some great films such as: Jaws, Close Encounters, Duel, E.T., and the most recent Schindler's List. more
Nic Potter
Legendary bassist of VDGG in The Least and much of H to He, and especially in Vital. Also worth listening to are his contributions to P.H.'s solo albums such as The Silent Corner or Enter K. more
Hugh Banton
A myth. An exceptional architect, builder of marvelous gothic cathedrals ringing in service of Jackson’s sax and Hammill’s voice; without him the cathedrals would collapse, and the generator would stop working, Hammill or no Hammill. The fundamental gear (now even more than before, after Jackson’s departure) of the Van der Graaf generator. more