Over the years, there have been some great songs here and there ('Sally', 'Vivere una favola', 'Gli angeli', 'Vivere', and so on), but unfortunately, for the last twenty years, it has been truly unlistenable. I've never been a fan, but I can't consider it an absolute nullity. Well, 3 seems fair. more
total garbage. more
trigger the losers down here who use indie as a substitute for personality. much better, moreover, than so much official indie garbage. more
Yawn. Another junkie who "like, dude, I'm so deep," dead at an almost infantile age as is customary among this rabble. An idol for generations of kids from the '90s raised on lines from the Smemoranda. Hard to say whether it's more predictable or overrated. more
Total garbage. His shows are awful, his cheap irony with which he conveniently put himself on a pedestal, his damn texts in which the losers identify themselves (serfs, shutters), his fanbase made up of those famous stinking engineering students ("you don't understand anything, they're geniuses!!! Elio graduated from conservatory !!1"). more
The worst of the worst. more
5 because it triggered hordes of fucking hipster music losers for years and years. more
old slob with empty lyrics, a non-musician, his target is "the man on the street" all bars and despair (same as 883 and Ligabue). smells of provincial cornmeal. more
3 just because it triggers all the losers of debaser, 20-something virgin engineering students who still say things like "commercial music" and base their entire personality on being "outside the norm." more
Not all the pieces are great; maybe they should have made fewer. Beautiful voice, but at some points, it's annoying. more
This record reminded me of the movie Empire Records, I’d say that’s a good thing. Discovered at 17, it would have been a blast. Melodic just enough, and full of heart. more
Despite the ups and downs, he remains a good artist, even though the character he has created has significantly hindered him. more
Good rhythm, excellent drumming by Carlo Verdone. Listening to it again, it's a decent album if you don't compare it to his masterpieces. more
At first glance, it might not be pleasing, but if you listen to it multiple times, I wouldn't say it will make you like it, but it certainly won't displease you anymore. more
THE SCREAM OF THE APOCALYPSE! more
Until the early '80s, a great artist who truly deserves to be considered among the greats. Then a few albums come out that are slightly inferior, but still valid, and let's say that until the end of the '80s he remains relevant. In the '90s, like many others, he took a nosedive towards the abyss... but the past is not forgotten. Consequently, the same rating and judgment that I gave to Renato Zero, Bennato, Venditti, etc. more
Clean country, melodic with a great rhythm. Very enjoyable to listen to, almost like a pop rock disco. more
One of the most beautiful albums of the Italian seventies, very introspective, pop and rock, at times reminiscent of Pink Floyd. more
Coriky is a band from Washington, D.C.
Amy Farina plays drums.
Joe Lally plays bass.
Ian MacKaye plays guitar.
All sing. more
Defined by critics and various encyclopedias as an innovative masterpiece of those years. Ok, I trust it and find it transcendent, even if sometimes slightly repetitive. Still, listening to it in its entirety is like a movie, a journey, a story. more