The beginning of the rock turnaround is already being felt, but the quality is still very, very high. Perhaps the last perfect album in every way by Litfiba. more
the greatest after De André and on par with Dalla. perhaps underrated more
She went home with the nigger the whore more
Probably the best live recording ever! more
The worst more
It starts here, and it will last for about two decades, the golden era of Ivano. There are many right ideas, but you can feel that the magic of the period 88-2000 is still missing. Between 4 and 4.5 more
The more crooked they are, the more I like them. Pufuleti sings in all the languages he knows and even makes up another one, his own. It's a continuous nonsense, I can't help but laugh. more
"I'm crazy... and don't mess with me." Truly monumental. It's just a shame about a few slip-ups in the last 20 years of his career. But he has really given us so much. more
So, where to begin? Side A features four well-crafted ballads, polished to a shine by sacrificing ferocity (except for a bit of Ehi padre eterno) for a softness more akin to Venditti, which risks becoming monotonous after a while. Nevertheless, it produces some beautiful tracks like Pasqua and Ehi padre eterno. The second side brings us back to our dear Ivan, even if this time the lyrics don't always hit the mark. Nevertheless, it remains a good album, even if it can feel heavy upon a full listen. Best tracks: Pasqua, Digos boogie, Ehi padre eterno. more
the greatest film of all time and space. 5 is too few!!! undisputed masterpiece! more
The golden period of Ivan comes to an end here, after exceptional albums like Pigro and that small merciless gem of I lupi. Ivan manages to drop the powerful trio Isabella on the train-Dada-Syracuse, only to then throw out beautiful ballads like Firenze and Olanda, and especially that splinter of madness called Tutto questo cosa c'entra con il R&R... but this time Ivan's bank doesn't win, both due to poorly crafted lyrics (Radio Londra, even though it has a very powerful rock driving it) and certain arrangements that don't captivate (Angelina). As for the rating, I'd rather not talk about it; I'll just say it's not quite full. more
I think it's one of the ugliest records in the history of Italian music. Gruesome. more
Of the trilogy with Roversi, I slightly prefer the first two... but this one remains a masterpiece nonetheless. It would be 5 stars, not completely full, but who cares. more
with the namesake we had made a monstrous ball, let's add this and make two balls. inaudible, 1. more
a very ambitious album, perhaps too much in some respects. nonetheless, it remains the beginning of the end. 3.5 more
a little hat under the fish, but in the end not so much as many say. ah, and "modena" among the 5 best Italian songs of all time. more
probably the only Baglioni work that can be listened to in full... 3.5 and a little bit more more
And who could ever give a grade higher than one... if not him, the Master, the Divine, the Supreme trentavoltemegl. You're a genius thirty, they don't understand you here. more
The 3 stars are an average between the 5 it deserves (or deserved) along with Timoria and the 1 from Renga as a solo artist. One of the saddest musical evolutions ever. more
One of the greatest Italian rock bands. Manuel Agnelli has written memorable lyrics. more