Attempt after a triumphant tour with KMFDM to release a record a bit more "mainstream"... but in Watts' perspective, a record like this still proves complicated for the average industrial metal listener. A half-successful experiment, several tracks stand out but others are ahuimé just simple "fillers"... maximum respect in any case for PIG. more
Little masterpiece that is worth buying even just for the first songs, the Morrisonian anthem "No One Gets Out Of Her Alive" twisted into an anthem of addiction ("No One Gets Out Of HER Alive"), excellent production, increasingly decaying vocals. more
Discone born from the collaboration between Watts and Foetus with Hacke from Einsturzende Neubauten playing guitar on some tracks... white funk blended with industrial sounds for a debut that is as cheeky and real as few. more
The best friend of March Horses. more
Raw as a butt but powerful as a vibrator! more
It's only rock'n'roll but I like it... except when I hear for the millionth time "You shook me all night long" or "Back in black" poorly covered by yet another beer-pulling cover band at the pub of the moment. Anyway, they are the quintessence of rock'n'roll... ignorant, crude, rough, and rude. more
The spring monkey of Canterbury pop, still working, if you load it up, how many parties it throws for you! more
these are really tough guys...with their leather jackets on their roaring motorcycles, drinking liters of beer and letting out the loudest burps, and then they put skulls and monsters on their album covers...oh my God...brrr...maybe sometimes they even hit their women…how tough. Aside from that, I've never heard one of their albums :) I rate the image 1. more
Causes emotional upheaval, use with caution. more
hahahahahahahaahaha great laughs. The group that embodies puberty crises the most. And anyone who can’t admit that they cause testicular cancer lives in a parallel reality along with their hot wheels and their meccano. more
The trilogy "Fantaisie Militaire" - "L'imprudence" - "Blue Pétrole" represents her remarkable artistic legacy. more
The tradition of Dutch rock vocalists: in the '70s Jerney Kaagman of Earth&Fire, in the '80s Anka Wolbert of Clan of Xymox, and finally Anneke: just joining The Gathering, she makes her mark with power and elegance, in a beautifully crafted album. more
never anything decent more
Find him the heart, and the weak shall die.. more
A small musical genius of industrial rock, underestimated like few other figures in the history of this genre. Collaborator with Psychic TV and Einstürzende Neubauten, he forms a special friendship with Foetus that culminates in his first album. Following that, increasingly aggressive works with hallucinatory lyrics told by a man on the perpetual brink of collapse, at the mercy of his addictions. The Quentin Tarantino of industrial metal. more
A robust industrial metal album, less electronic and polished than its illustrious predecessors, but with desperate songs like "Junky" and "Kundalini," showcasing the crisis in the man behind the "pig" like never before. more
never a glossy tearjerker ballad, never a silly synthesizer or keyboard replacing the guitars. Among the few who navigated the entire eighties without falling into those traps. They are not repetitive, they are consistent, that's different. Perhaps they should have retired twenty years ago, but as far as I'm concerned, with all the great albums of pure rock they've made, they have earned the sacred right to keep pissing people off for as long as they damn well please. more
Stunning. more
Fake as Lady Gaga's hair, uglier than Lino Banfi, more unpleasant than Fabrizio Cicchitto, slicker than Emilio Fede, shittier than Giovanni Allevi, more useless than Ferrero's Grand Soleil, faker alternative than an MTV VJ, and sillier than Belen Rodriguez... in other words, the Afterauras. more
3 to Knopfler and that's it… so boring. more