Inferior to the first one (and if we want to say it, it's also much more political compared to the first), but all in all, I liked it and the scenes with Jack Jack, in my opinion, work very well. more
I am him and he is me more
One of the most painful yet beautiful albums by Neil Young. more
The adventure of the Atari 2600 (and all other systems) continues with AtariAge, not only through a multitude of information and initiatives but especially for the development and publication of new original Vg, even in physical format. Atari? Why not! more
A beautiful album, the crackling finale of Bowie's raggedy period. It's beautifully gritty, lively, rockin' (and rolling-stoney in more than one song, not just the actual cover), with no dull moments and 6-7 splendid tracks, whether they are stunning "glam-ballads" or energetic tunes that I dare you to say don't make you tap your foot. Then there’s the title track, which is one of my favorites by Bowie, the genius stroke from the hat, the "acid" splinter of the album. If I had to complete a "podium," my other favorites would be the irresistibly "Panic in Detroit" and then "Time," but the quality is omnipresent. A beautiful performance by Mike Garson on piano and an inspired Mick Ronson on guitar, someone I would appreciate even if he had started playing Baglioni songs at a certain po... Ah, wait, that really happened. more
We needed some '20s prog in our lives, dotted with all those beautiful things that revolutionized the last three decades of the twentieth century.
The Slint of the zoomers. more
The Pink Floyd converted into a more pop and baroque form, with significant keyboard additions and a touch of Beatles. The recording quality is monstrous! They may not be the greatest geniuses of rock, but they are definitely an important part of my adolescence. more
BUAHAHAHAHAHAHAHAHAHAHAHAHAHAH more
Maybe she will also be one of the most brilliant and eccentric 'comedians' as well as one of the most underrated in the local scene, but for me, aside from a few sketches during the days of mai dire (...when I was still a teenager), everything she has done since has given me more of a sense of irritation than laughter. more
Of an infinite bitterness, it is magnificent. more
Caparezza goes a bit more into detail about what troubles him (this song deserves a mention just for the sax solo). more
A sort of dialogue between "Michele Salvemini" and "Caparezza" more
Pleasant Scottish pop more
Unfortunately, I find it quite heavy and boring: flat and trivial pieces (not to mention the numerous and uninspiring interludes) alternate with a few others worthy of listening to and somewhat exciting. Satellite is better. Rating: 2.5/5 more
P.C. continues its unstoppable path of experimentation, delivering a "difficult" CD where melody is quite a rare thing. There are impressive and truly inspired tracks ("V.D.M. 1984", "Visione"). [See my review] more
Engaging and exciting from start to finish. more
I have always considered it their masterpiece; I grew up at 17 listening to this album hundreds of times, which talks about the struggles of a teenager like me back then. Simply a masterpiece. more
I believe it’s the only car in the world that, despite being ultra-hyper-mega abused, has never annoyed me. The little pasta? 5 stars for that too. more
I'm at a loss for words.
Or rather, I would have some, but they're all expletives. more
Had he stopped at Dangerous, I would have given him the fourth star. In any case, he remains exceedingly overrated, even during his golden period. more