"Even if it's not the height of technique": even Maestro Abbado misses a note, the Berliner Philharmoniker, the Budapest Festival Orchestra, the London Symphony Orchestra, and in 1st place according to Gramophone, the Royal Concertgebouw in Amsterdam show imperfections and expel less gifted elements. And for those who love jazz orchestras, just watch "Whiplash". But what do you cry out for from R+: "technical perfection" and then you define them "Tanz Metall," "Neue Deutsche Härte," an echo of "Neue Slowenische Kunst," (and Ondarock decrees "Laibachian poetics"). At its core, the music of R+ is based on a modular fundamental component similar to KMFDM's, creating a grandiose symphonic metal architecture. In the year 2021 of Our Life, I must read, rediscovering Georg Friedrich Philipp Freiherr von Hardenberg a.k.a. Novalis, Georg Trakl, Rainer Maria Rilke, Else Lasker-Schüler, Johann Wolfgang von Goethe (listen to "Dalai Lama") "But what a shame, German, the language of Ratzinger"... but IGNORANT! Beyond the pontificate, Ratzinger is one of the most refined minds of the 21st century, but go on MG and read the translations of Lindemann's lyrics. You who enjoy the technique of Cannibal Corpse (who COPIED the lyrics from De Sade), who say that the greatest vocalist of all time is Freddie Mercury, who praise "In Utero," and fill me with CRAP in a review of Fear Factory (which I bought along with Tons of Harsh Noise). But you mosh at the Fenice and bring the opera booklet to the live shows of the "Crucchi" Ah: and go take a hike!
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